|
|
|
|
|
|
Adrian Ludwig Richter
Brautzug im Fruhling
1847
Oil on canvas
93 ?? 150 cm
cjr
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Adrian Ludwig Richter
last Medici Grand Duke of Tuscany
. 1737(1737)
Medium Oil on canvas
cyf
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Adrian Ludwig Richter
Brautzug im Fruhling
1847
Medium Oil on canvas
Dimensions 93 x 150 cm
cyf
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Adrian Ludwig Richter
Ave Maria
1834(1834)
Medium Oil on canvas
cyf
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Adrian Ludwig Richter
Inntal bei Hall
Date 1823
Medium Oil on canvas
Dimensions 35 x 48 cm
cjr
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Adrian Ludwig Richter
Fruhlingsabend
Date 1844(1844)
Medium Oil on canvas
Dimensions 72 x 110 cm
cjr
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Adrian Ludwig Richter
Brunnen bei Ariccia
1831(1831)
Medium oil on canvas
cyf
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Adrian Ludwig Richter
Teich im Riesengebirge
1839(1839)
Medium oil on canvas
Dimensions 63 x 88 cm
cjr
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Adrian Ludwig Richter
Der Watzmann
1826(1826)
Medium oil on canvas
Dimensions 114 x 90 cm
cyf
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Adrian Ludwig Richter
St.-Annen-Kirche zu Graupen in Bohmen
1836(1836)
Medium oil on canvas
cjr
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Adrian Ludwig Richter
Genoveva in der Waldeinsamkeit
Date 1841(1841)
Medium oil on canvas
Dimensions 117 X 101 cm
TTD
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Adrian Ludwig Richter
Brautzug im Fruhling, Ausschnitt
Date 1847
Medium oil on canvas
Dimensions 93 X 150 cm
TTD
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Adrian Ludwig Richter
Italienische Landschaft mit ruhenden Wandersleuten
1833(1833)
Medium oil
cyf
|
| |
|
|
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
| Adrian Ludwig Richter
|
German, 1803-1884
German painter, printmaker and illustrator. He ranks with Moritz von Schwind as the most important representative of late Romantic painting and printmaking in Germany. In contrast to the work of such leading masters of early Romanticism as Philipp Otto Runge and Caspar David Friedrich, which was ambitious in content and innovative in form, Richter's art was more modest in its aims, in line with the restrained intellectual climate of the Biedermeier period.
|
