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Ambrogio Lorenzetti
Madonna Enthroned with Angels
1340 Tempera on wood
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Ambrogio Lorenzetti
Altarpiece of St Proculus
1332 Tempera on wood, 167 x 56 cm
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Ambrogio Lorenzetti
St Michael
1330-35 Tempera on wood, 110,5 x 94,5 cm
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Ambrogio Lorenzetti
Madonna of Vico l'Abate
1319 Tempera on wood, 148,5 x 78 cm
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Ambrogio Lorenzetti
St. Nikolaus-barmhartighetsgarning
mk234
mk234
ca1332
30x20cm
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Ambrogio Lorenzetti
Miracles of St.Nicholas
mk247
1332,tempera on wood ,38x20 in,96x52.5cm uffizi,florence,ltaly
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Ambrogio Lorenzetti
The Effects of Good Government in the city
mk247
c.1338-40,fresco,116.5x550.375 in,296x1398cm,palazzo pubblico,siena,ltaly
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Ambrogio Lorenzetti
portrait of a child holding a rattle
mk247
1771,oil on canvas,36x31.5 in,92x80 cm,private collection
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Ambrogio Lorenzetti
vishnu visvarupa,preserver of the universe,represnted as the whole world
mk247
19th century,watercolor on paper,15.25x11 in,38.7x28 cm,victoria and albert museum,london,uk
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Ambrogio Lorenzetti
den belige nikolaus baris liv
mk248 den belige nikolaus var bikop av myra ocb avibldas nar ban raddar staden fran bungers nod genom att mirakulost torka ocb mang dubbla de vetesackar som fallit i bavet.
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Ambrogio Lorenzetti
den goda styrelsen
mk248 dena detaljbild ger en glimt av den vardagliga tillvaron i en valskott stad. man ocb kvinnor rider runt till bast, en butik ar oppen for affarer ocb en intressant del av stadens arkitektur avbildas. med alla tinner ocb balkonger. aven om siea vid tiden for malningen tavlade med florens i fraga om valtsnd ar dtta formodigen en idealiserad bild av staden som ska kontratrastera mot de fresken med den onda styrelsen i amma der visas i stllet en stad odelagd av bungersnod ocb monster faller fran skyn.
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Ambrogio Lorenzetti
Madonna
1319(1319)
Oil on panel
85 x 57 cm (33.5 x 22.4 in)
cjr
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Ambrogio Lorenzetti
Madonna del Latte
1st third of 14th century
Oil on panel
90 x 45 cm (35.4 x 17.7 in)
cjr
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Ambrogio Lorenzetti
Madonna
1319(1319)
Medium Oil on panel
Dimensions 85 x 57 cm (33.5 x 22.4 in)
cyf
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Ambrogio Lorenzetti
Madonna del Latte
Oil on panel
Dimensions 90 x 45 cm (35.4 x 17.7 in)
cyf
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Ambrogio Lorenzetti
Presentation at the Temple
The Presentation at the Temple is a painting by the Italian late medieval painter Ambrogio Lorenzetti, signed and dated 1342, now housed in the Uffizi Gallery of Florence, Italy. It is one of the largest works by the Italian medieval painter, as well as one of the five which he signed and dated
cyf
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Ambrogio Lorenzetti
Annunciation
The Annunciation is a painting by the Italian late medieval painter Ambrogio Lorenzetti, signed and dated 1344, now housed in the Pinacoteca Nazionale of Siena, Italy
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| Ambrogio Lorenzetti
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Italian Byzantine Style Painter, ca.1290-1348
Ambrogio Lorenzetti (or Ambruogio Laurati; c. 1290 ?C June 9, 1348) was an Italian painter of the Sienese school. He was active between approximately from 1317 to 1348. His elder brother was the painter Pietro Lorenzetti.
His work shows the influence of Simone Martini, although more naturalistic. The earliest dated work of the Sienese painter is a Madonna and Child (1319, Museo Diocesano, San Casciano). His presence was documented in Florentine up until 1321. He would return there after spending a number of years in Siena.
The frescoes on the walls of the Hall of the Nine (Sala dei Nove) or Hall of the Peace (Sala della Pace) in the Palazzo Pubblico of Siena are one of the masterworks of early renaissance secular painting. The "nine" was the oligarchal assembly of guild and monetary interests that governed the republic. Three walls are painted with frescoes consisting of a large assembly of allegorical figures of virtues in the Allegory of Good Government . In the other two facing panels, Ambrogio weaves panoramic visions of Effects of Good Government on Town and Country, and Allegory of Bad Government and its Effects on Town and Country (also called "Ill-governed Town and Country"). The better preserved "well-governed town and country" is an unrivaled pictorial encyclopedia of incidents in a peaceful medieval "borgo" and countryside.
The first evidence of the existence of the hourglass can be found in one of his paintings.
Like his brother, he is believed to have died of bubonic plague 1348. Giorgio Vasari includes a biography of Lorenzetti in his Lives.
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