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Augustus Earle Australian Painter , 1793-1838
Nephew of Ralph Earl. He exhibited at the Royal Academy in London between 1806 and 1815, when he began travelling. He visited the Mediterranean between 1815 and 1817, and lived in North America (1818-20) and South America (1820-24). In February 1824, en route to India, he was accidentally abandoned on Tristan da Cunha for eight months. The passing ship that rescued him took him to Australia. Here he lived from 1825 until 1828, a period broken by a seven-month residence in New Zealand. During all of his voyages he made watercolour sketches, particularly of places 'hitherto unvisited by any artist', apparently with the intention of publishing a series of aquatints. These drawings, such as a Bivouac, Daybreak, on the Illawarra Mountains (1827; Canberra, N. Lib.), have a robust autobiographical quality. In Sydney he obtained a number of commissions, including a full-length portrait of Governor Sir Thomas Brisbane (1825-6; Sydney, Govt House). Earle returned to England in 1829 and produced a series of prints, Views in New South Wales, and Van Diemen's Land.
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Painting ID:: 28004
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Augustus Earle A Bivouac of Travellers in Australia in a Cabbage Tree Forest,Day Break 1838
Oil on canvas 118 x 82 cm (46 1/2 x 32 1/4in)
National Library of Australia,Canberra (mk63)
Painting ID:: 28395
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Augustus Earle Past and Present No 1 1858
Oil on canvas 63.5 x 76.2 cm
(20 x 30 in)
Tate Gallery London (mk63)
Painting ID:: 28397
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Augustus Earle Past and Present No 2 1858
Oil on canvas 63.5 x 76.2 cm
(20 x 30 in)
Tate Gallery London (mk63)
Painting ID:: 28398
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Augustus Earle Past and Present No 3 1858
Oil on canvas 63.5 x 76.2 cm
(20 x 30 in)
Tate Gallery London (mk63)
Painting ID:: 32729
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Augustus Earle Captain Richard Brooks mk80
1826-27
Oil on canvas
73.9x61
Painting ID:: 58727
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Augustus Earle Augustus Earle Augustus Earle, (Self Portrait) Solitude, watching the horizon at sun set, in the hopes of seeing a vessel, Tristan de Acunha (i.e. da Cunha) in the South Atlantic, (1824): watercolour; 17.5 x 25.7 cm. National Library of Australia
Painting ID:: 58728
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Augustus Earle Punishing negroes at Cathabouco Augustus Earle, Punishing negroes at Cathabouco, (i.e. Calabouco) Rio de Janeiro, (1822): watercolour; 23.6 x 26.3 cm. National Library of Australia
Painting ID:: 58729
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Augustus Earle Portrait of Bungaree Augustus Earle, Portrait of Bungaree, a native of New South Wales, with Fort Macquarie, Sydney Harbour, in background, (1826): oil on canvas; 68.5 x 50.5 cm. National Library of Australia
Painting ID:: 94289
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Augustus Earle Solitude, watching the horizon at sun set, in the hopes of seeing a vessel, Tristan de Acunha 1824
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Painting ID:: 94290
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Augustus Earle Punishing negros at Cathabouco 1822. Watercolour; 23.6 x 26.3 cm.
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Painting ID:: 94291
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Augustus Earle Portrait of Bungaree, a native of New South Wales, with Fort Macquarie, Sydney Harbour, oil on canvas
Date 1826(1826)
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Painting ID:: 96961
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Augustus Earle Uncared for Oil on canvas, 101 x 76 cm
Date 1871(1871)
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Painting ID:: 96962
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Augustus Earle The flower girl Oil on canvas, 37 x 26 cm
Date 1872(1872)
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Painting ID:: 96963
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Augustus Earle Selling Out 1901, oil on board, 30.5 x 23 cm
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Painting ID:: 96964
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Augustus Earle Luck in a Moment 30.5 x 25.5 cm
Date 1874(1874)
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Painting ID:: 96965
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Augustus Earle A street flower seller oil on canvas, 55 x 38 cm
Date 1882(1882)
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Augustus Earle
Australian Painter , 1793-1838
Nephew of Ralph Earl. He exhibited at the Royal Academy in London between 1806 and 1815, when he began travelling. He visited the Mediterranean between 1815 and 1817, and lived in North America (1818-20) and South America (1820-24). In February 1824, en route to India, he was accidentally abandoned on Tristan da Cunha for eight months. The passing ship that rescued him took him to Australia. Here he lived from 1825 until 1828, a period broken by a seven-month residence in New Zealand. During all of his voyages he made watercolour sketches, particularly of places 'hitherto unvisited by any artist', apparently with the intention of publishing a series of aquatints. These drawings, such as a Bivouac, Daybreak, on the Illawarra Mountains (1827; Canberra, N. Lib.), have a robust autobiographical quality. In Sydney he obtained a number of commissions, including a full-length portrait of Governor Sir Thomas Brisbane (1825-6; Sydney, Govt House). Earle returned to England in 1829 and produced a series of prints, Views in New South Wales, and Van Diemen's Land.
