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BRAMANTE Italian High Renaissance Architect and Painter, 1444-1514
In the first decade of the 16th century Donato Bramante was the chief architect in Rome, which had just replaced Florence as the artistic capital of Europe because the patronage of Pope Julius II (reigned 1503-1513) attracted all the leading Italian artists to that city. It is particularly the triumvirate of artists - Michelangelo the sculptor and painter, Raphael the painter, and Bramante the architect - who dominated this period, usually called the High Renaissance, and whose influence overwhelmed the following generations.
Donato di Pascuccio d'Antonio, called Bramante, was born in 1444 at Monte Asdruvaldo near Urbino. Nothing is known of the first 30 years of his life. During that period, however, the court of Federigo da Montefeltro at Urbino was a flourishing humanistic and cultural center, attended by artists such as Piero della Francesca, Melozzo da Forll, and Luciano Laurana, who probably influenced the young Bramante. The first notice of Bramante dates from 1477, when he decorated the facade of the Palazzo del Podestaat Bergamo with a frescoed frieze of philosophers.
BRAMANTE Christ at the Column gfd c. 1490
Tempera on panel, 93 x 62 cm
Pinacoteca di Brera, Milan
Painting ID:: 5341
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BRAMANTE Man with a Halbard (detail) fg c. 1481
Fresco transferred to canvas
Pinacoteca di Brera, Milan
Painting ID:: 5342
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BRAMANTE Man with a Broadsword dfg c. 1481
Fresco transferred to canvas, 285 x 127 cm
Pinacoteca di Brera, Milan
Painting ID:: 5343
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BRAMANTE Man-at-Arms ds c. 1481
Fresco transferred to canvas, 90 x 113 cm
Pinacoteca di Brera, Milan
Painting ID:: 5344
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BRAMANTE Heraclitus and Democritus fd 1477
Fresco transferred to canvas
Pinacoteca di Brera, Milan
Painting ID:: 5345
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BRAMANTE Study fgf Drawing
Galleria degli Uffizi, Florence
Painting ID:: 5346
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BRAMANTE Exterior of the church dfg begun c. 1492
Santa Maria delle Grazie, Milan
Painting ID:: 5347
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BRAMANTE Tempietto d 1502
San Pietro in Montorio, Rome
Painting ID:: 78255
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BRAMANTE Portrait of Camilla Spinola oil on canvas, circa 1633. Accession number 1774
Date
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Painting ID:: 79281
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BRAMANTE Death of Joseph Bara Oil on painting, after 1794. Lent by Lille Fine Arts museum in 2004. On display at Château de Vizille, accession number MRF D 2004-9.
Date
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Painting ID:: 79282
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BRAMANTE Louis Stanislas Xavier, comte de Provence Oil on painting, 1788. Lent by Grenoble Fine Arts museum. On display at Château de Vizille.
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Painting ID:: 80017
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BRAMANTE Abraham DavelAbraham Davel Execution of major en:Abraham DavelAbraham Davel. Reproduction of a painting by Charles Gleyre, oil on canvas, 1850. On display at Morges military museum.
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Painting ID:: 80074
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BRAMANTE comte de Provence Oil on painting, 1788. Lent by Grenoble Fine Arts museum. On display at Château de Vizille.
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Painting ID:: 80076
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BRAMANTE Death of Joseph Bara Oil on painting, after 1794. Lent by Lille Fine Arts museum in 2004. On display at Château de Vizille, accession number MRF D 2004-9.
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Painting ID:: 82720
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BRAMANTE Portrait of mister de Courcy oil on canvas, 1816. Accession number D.44.988.04.
Date
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Painting ID:: 83310
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BRAMANTE Moses saved from the waters, David Winckboons Moses saved from the waters, David Winckboons, 1600-1602. Oil on wood. Bought in 1941. Accession number: 1654
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Painting ID:: 83349
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BRAMANTE Ancient copy of a miniature 1820. Oil on canvas.
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Painting ID:: 83935
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BRAMANTE Execution of major en:Abraham DavelAbraham Davel oil on canvas, 1850
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Painting ID:: 85959
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BRAMANTE Christ and the adulterous woman Christ and the adulterous woman, Anonymous from Venice (formerly attributed to El Greco), second half of the 16th century. Oil on Canvas. Bought in 1890. Accession number: 238
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Painting ID:: 87216
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BRAMANTE Birds, French anonymous of the early 17th century oil on wood, 1619
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Italian High Renaissance Architect and Painter, 1444-1514
In the first decade of the 16th century Donato Bramante was the chief architect in Rome, which had just replaced Florence as the artistic capital of Europe because the patronage of Pope Julius II (reigned 1503-1513) attracted all the leading Italian artists to that city. It is particularly the triumvirate of artists - Michelangelo the sculptor and painter, Raphael the painter, and Bramante the architect - who dominated this period, usually called the High Renaissance, and whose influence overwhelmed the following generations.
Donato di Pascuccio d'Antonio, called Bramante, was born in 1444 at Monte Asdruvaldo near Urbino. Nothing is known of the first 30 years of his life. During that period, however, the court of Federigo da Montefeltro at Urbino was a flourishing humanistic and cultural center, attended by artists such as Piero della Francesca, Melozzo da Forll, and Luciano Laurana, who probably influenced the young Bramante. The first notice of Bramante dates from 1477, when he decorated the facade of the Palazzo del Podestaat Bergamo with a frescoed frieze of philosophers.
