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Bihzad the period of 1465-153
Persian illustrator. The most famous master of Persian painting, he is important both for the paintings he executed and for the wider influence of the style associated with his name. Evidently orphaned at a young age, Bihzad is said to have been raised and trained by MIRAK, a painter and calligrapher employed in Herat by Husayn Bayqara.
Bihzad The Gatekeeper denies entrance by one unworthy of the garden mk90
Details of the Frontispiece to the Bustan
by Mirak or Bihzad,Samen Manuscript
Painting ID:: 34193
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Bihzad A Poor dervish deserves,through his wisdom,to replace the arrogant cadi in the mosque mk90
Illustration by Bihzad for the Bustan
Painting ID:: 34196
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Bihzad King Darius and the Herdsman mk90
Illustration by Bihzad for the Bustan
Painting ID:: 34197
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Bihzad A dervish begs to be admitted in the mosque mk90
Illustration by Bihzad for the Bustan
Painting ID:: 34198
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Bihzad Zulaykha attempts to seduce joseph in her palace mk90
Illustration by Bihzad for the Bustan
Painting ID:: 34199
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Bihzad Portrait of jami leaning on a staff,with another scholar of Sultan Husayn-s court mk90
Detail of a painting by Bihzad
1494-95
Painting ID:: 34203
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Bihzad Alexander or Sikandar annuls the magic of the malevolent idol at the entrance to the ocean mk90
While the wise Apollonius or Balinas consults his astrolabe.
Painting ID:: 34206
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Bihzad the theophany through Layli sitting framed within the prayer niche mk90
1494-95
Painting ID:: 34215
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Bihzad Alexander and the hermit mk90
Illustration by Bihzad to Nizami s Alexander romance
Herat
1494-95
British Library
Painting ID:: 34217
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Bihzad The Crescent moon turned downwards mk90
Detail from Alexander and the Hermit
Painting ID:: 34218
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Bihzad Jami as Apollonius and the minister Mir Ali Sher Nawa i as Alexander mk90
Annul the magic of the talisman statue.
Detail from an illustration by Bihzad
Painting ID:: 34219
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Bihzad Fragment of a Manichaean manuscript,with the Hindu gods Ganesh,Vishnu mk90
Qocho.
Eighth or ninth century
Painting ID:: 34220
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Bihzad Brahman transformed into demons mk90
Qocho,eighth or ninth century
Painting ID:: 34224
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Bihzad Mahan s diabolic horse mk90
a Symbolic of his own unleashed impulses,changes between his legs into a seven headed dragon in the valley of the demons
Painting ID:: 34226
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Bihzad Archangel,a symbol of the divine Active Intelligence mk90
in the first half of the sixteenth century.
Painting ID:: 34228
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Bihzad A holy personage at the gate of a shrine consoles a son over his father-s death mk90
The Disposition of the shrine is reminiscent of Ansaris Tomb at Gazurgah,to the northeast of Herat
Painting ID:: 34229
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Bihzad A peasant lectures the sage Abu Sa Id ibn Abi l Khayr,the shaykh of Mahneh.on patience mk90
Illustration by Bihzad to Attar\'s Parliament of Fowles
c.1487-88
Painting ID:: 34236
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Bihzad The Tree of Life springs from the fount and bows over the saint mk90
Detail of Bihzad\'s Alexander and the hermit
Painting ID:: 34237
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Bihzad The saintly Bishr fishes up the corpse of the blaspheming Malikha from the magic well which is the fount fo life mk90
The Tree of Life bows over the saint
on the left,a demon rock twists in agony
Painting ID:: 34246
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Bihzad The suicide of the artist Farhad,forbidden union with the lovely Shirin mk90
Beneath the withered stumps which symbolize dammed souls
the period of 1465-153
Persian illustrator. The most famous master of Persian painting, he is important both for the paintings he executed and for the wider influence of the style associated with his name. Evidently orphaned at a young age, Bihzad is said to have been raised and trained by MIRAK, a painter and calligrapher employed in Herat by Husayn Bayqara.
