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Canaletto Italian Rococo Era Painter, 1697-1768
Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.
Canaletto San Cristoforo, San Michele Murano 1725-30
Dallas Museum of Art
Painting ID:: 302
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Canaletto Capriccio, The Horses of San Marco in the Piazzetta 1743
Royal Collection
Painting ID:: 303
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Canaletto Veduta del Palazzo Ducale 1735
Galleria degli Uffizi, Florence
Painting ID:: 304
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Canaletto Capriccio, A Colonnade opening onto the Courtyard of a Palace 1765
Accademia, Venive
Painting ID:: 305
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Canaletto Ranelagh, the Interior of the Rotunda 1754
National Gallery, London
Painting ID:: 306
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Canaletto Capriccio-River Landscape with a Column, a Ruined Roman Arch and Reminiscences of England 1754
National Gallery of Art, Washington DC
Painting ID:: 307
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Canaletto Westminster Abbey with a Procession of the Knights of Bath 1749
Dean & Chapter of Westminster
Painting ID:: 308
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Canaletto Warwick Castle, The East Front 1748-49
Birmingham City Museum and Art Gallery
Painting ID:: 309
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Canaletto Alnwick Castle, Northumberland 1752
The Duke of Northumberland
Painting ID:: 5560
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Canaletto Rio dei Mendicanti 1723-24
Oil on canvas, 143 x 200 cm
Museo del Settecento Veneziano, Ca' Rezzonico, Venice
Painting ID:: 5561
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Canaletto Rio dei Mendicanti (detail) s 1723-24
Oil on canvas
Museo del Settecento Veneziano, Ca' Rezzonico, Venice
Painting ID:: 5562
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Canaletto The Rio dei Mendicanti (detail) 1723-24
Oil on canvas
Museo del Settecento Veneziano, Ca' Rezzonico, Venice
Painting ID:: 5563
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Canaletto Grand Canal, Looking Northeast from Palazo Balbi toward the Rialto Bridge 1723-24
Oil on canvas, 144 x 207 cm
Museo del Settecento Veneziano, Ca' Rezzonico, Venice
Painting ID:: 5564
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Canaletto Grand Canal, Looking East from the Campo San Vio 1723-24
Oil on canvas, 140,5 x 204,5 cm
Thyssen Bornemisza Collection, Madrid
Painting ID:: 5565
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Canaletto Grand Canal, Looking East from the Campo San Vio (detail) fd 1723-24
Oil on canvas
Thyssen Bornemisza Collection, Madrid
Painting ID:: 5567
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Canaletto The Grand Canal with the Rialto Bridge in the Background fd 1724-25
Oil on canvas, 146 x 234 cm
Gemäldegalerie, Dresden
Painting ID:: 5568
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Canaletto The Grand Canal with the Rialto Bridge in the Background (detail) 1724-25
Oil on canvas
Gemäldegalerie, Dresden
Painting ID:: 5569
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Canaletto The Grand Canal near the Ponte di Rialto sdf 1725
Oil on canvas, 90,5 x 134,6 cm
Private collection
Painting ID:: 5570
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Canaletto The Grand Canal from Rialto toward the North 1725
Oil on canvas, 89,5 x 131,5 cm
Private collection
Painting ID:: 5571
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Canaletto Doge Palace d c. 1725
Oil on canvas, 65 x 86 cm
Columbia Museum of Art, Columbus
Italian Rococo Era Painter, 1697-1768
Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.
