|
|
|
|
|
|
|
|
Oil Paintings
Come From United Kingdom
An option that you can own an 100% hand-painted oil painting from our talent artists. |
|
|
Charles Angrand
French Pointillist Painter, 1854-1926.French painter. He was trained at the Acad?mie de Peinture et de Dessin in Rouen, where he won prizes. Although he failed to gain entry to the Ecole des Beaux-Arts in Paris, Angrand began to win a controversial local reputation for canvases in a loosely Impressionist manner. In 1882 he secured a post as a schoolteacher at the Coll?ge Chaptal in Paris. With this security he was able to make contacts in progressive artistic circles, and in 1884 he became a founder-member of the Salon des Ind?pendants. His paintings of this period depict rural interiors and kitchen gardens, combining the broken brushwork of Monet and Camille Pissarro with the tonal structure of Bastien-Lepage (e.g. In the Garden, 1884; priv. col., see 1979 exh. cat., p. 27). |
|
|
|
|
|
|
|
|
|
|
|
Charles Angrand
Couple in the Street
1887
1' 3 1/4'' x 1' 1''(38.5 x 33 cm)
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Charles Angrand
Hay ricks in Normandy
undated
6 1/4'' x 9 1/4''(16 x 23.5 cm)
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Charles Angrand
The Western Railway Leaving Paris
mk235
1886
Oil on canvas
75x92cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Charles Angrand
Man and Woman in the Street
mk235
1887
Oil on canvas
38.5x33cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Charles Angrand
Man and Woman on the Street
Man and Woman on the Street (1887) by Charles Angrand, which can be found at the Mus??e National d'Art Moderne.
|
| |
|
|
|
|
|
|
|
|
|
|
|
1 | |
|
|
|
|
| Charles Angrand
|
French Pointillist Painter, 1854-1926.French painter. He was trained at the Acad?mie de Peinture et de Dessin in Rouen, where he won prizes. Although he failed to gain entry to the Ecole des Beaux-Arts in Paris, Angrand began to win a controversial local reputation for canvases in a loosely Impressionist manner. In 1882 he secured a post as a schoolteacher at the Coll?ge Chaptal in Paris. With this security he was able to make contacts in progressive artistic circles, and in 1884 he became a founder-member of the Salon des Ind?pendants. His paintings of this period depict rural interiors and kitchen gardens, combining the broken brushwork of Monet and Camille Pissarro with the tonal structure of Bastien-Lepage (e.g. In the Garden, 1884; priv. col., see 1979 exh. cat., p. 27).
|
|
|
|
|
|
|
|
