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Oil Paintings
Come From United Kingdom
An option that you can own an 100% hand-painted oil painting from our talent artists. |
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Charles conder
English-born Australian Painter, 1868-1909
English painter, active in Australia and France. He was sent to Australia in 1884 to learn surveying under his uncle W. J. Conder. After about two years in survey camps, he attended evening classes at the Royal Art Society, Sydney; in 1887 he worked as a lithographic draughtsman for the Illustrated Sydney News. Tom Roberts, then in Sydney on a visit from Melbourne, was among the open-air landscape painters that he knew at this time. He taught Conder some of the principles of Impressionism, such as truth to the momentary effect of light and to colour values, and the rejection of the academic ideal of high finish. The most important painting of Conder's Sydney years, the Departure of the 'SS Orient' from Circular Quay, 1888 (1888; Sydney, A.G. NSW), already showed a distinct personal style, combining humour with nostalgia and selective observation with decorative finesse of handling and design. In December 1888 Conder joined Roberts and Arthur Streeton in Melbourne. During the following summers they painted together at the outer suburbs of Mentone, Box Hill and Eaglemont |
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Charles conder
Going Home
1889, oil on wood panel, 40.7 x 28.7 cm) by Charles Conder (1868?C1909).
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Charles conder
How We Lost Poor Flossie
(1889, oil on cedar panel, 25.0 x 9.2 cm) by Charles Conder (1868?C1909).
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Charles conder
Fatal Colours
1888, oil on wood panel, 36.0 x 20.5 cm) by Charles Conder (1868?C1909).
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Charles conder
An Early Taste for Literature,
An Early Taste for Literature, painting, oil on canvas on paperboard, 61 x 51 cm, by Charles Conder
Date 1888(1888)
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Charles conder
An Early Taste for Literature
painting, oil on canvas on paperboard, 61 x 51 cm, by Charles Conder
Date 1888(1888)
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| Charles conder
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English-born Australian Painter, 1868-1909
English painter, active in Australia and France. He was sent to Australia in 1884 to learn surveying under his uncle W. J. Conder. After about two years in survey camps, he attended evening classes at the Royal Art Society, Sydney; in 1887 he worked as a lithographic draughtsman for the Illustrated Sydney News. Tom Roberts, then in Sydney on a visit from Melbourne, was among the open-air landscape painters that he knew at this time. He taught Conder some of the principles of Impressionism, such as truth to the momentary effect of light and to colour values, and the rejection of the academic ideal of high finish. The most important painting of Conder's Sydney years, the Departure of the 'SS Orient' from Circular Quay, 1888 (1888; Sydney, A.G. NSW), already showed a distinct personal style, combining humour with nostalgia and selective observation with decorative finesse of handling and design. In December 1888 Conder joined Roberts and Arthur Streeton in Melbourne. During the following summers they painted together at the outer suburbs of Mentone, Box Hill and Eaglemont
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