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Domenichino Last Communion of St. Jerome, Last Communion of St. Jerome, 1614, Pinacoteca Vaticana
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Domenichino Apparition of the Virgin and Child and San Gennaro at the Miraculous Oil Lamp Apparition of the Virgin and Child and San Gennaro at the Miraculous Oil Lamp, 1637-38, Cathedral of Naples
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Domenichino Abraham Leading Isaac to Sacrifice oil on copper painting by Domenichino
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Domenichino Assumption of Mary Magdalene into Heaven Medium Oil on canvas
Dimensions ?? cm
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Domenichino Ermordung des Hl. Petrus Martyr c. 1618-1620
Oil on canvas
345 X 236 cm
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Domenichino Ermordung des Hl Petrus Martyr Deutsch: um 1618-1620
English: c. 1618-1620
Medium Oil on canvas
Dimensions Deutsch: 345 ?? 236 cm
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Domenichino Portrait of Cardinal Agucchi 1605
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Domenichino Zampieri (Domenichino)'s St John the Evangelist Date 1624 - 1629
Medium Oil on canvas
Dimensions 259 x 199.4 cm
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Domenichino Cumaean Sibyl ca. 1622(1622)
Medium Oil on canvas
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Domenichino Domenichino, The Way to Calvary Oil on copper , 21 1/8 x 26 5/8 in., Getty Museum
Date ca. 1610(1610)
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Domenichino Dieu reprimandant Adam et Eve 1623-1625
Medium Oil on canvas
Dimensions ~50 x 80 cm (19.7 x 31.5 in)
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Domenichino Landscape with The Flight into Egypt Date c. 1605(1605)
Medium Oil on silvered copper
Dimensions Height: 26 cm (10.2 in). Width: 35 cm (13.8 in).
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Domenichino The Way to Calvary Oil on copper , 21 1/8 x 26 5/8 in., Getty Museum
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Domenichino Landscape with The Flight into Egypt 1605(1605)
Medium Oil on silvered copper
Dimensions Height: 26 cm (10.2 in). Width: 35 cm (13.8 in).
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Domenichino Guardian angel 1615(1615)
Medium oil on canvas
Dimensions 132 x 100 cm (52 x 39.4 in)
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Domenichino Landscape with The Flight into Egypt between 1620(1620) and 1623(1623)
Medium oil on canvas
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Domenichino Erminia among the Shepherds between 1622(1622) and 1625(1625)
Medium oil on canvas
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Domenichino The Rest on the Flight into Egypt circa 1605(1605)
Medium oil on canvas
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Domenichino St Cecilia between 1617(1617) and 1618(1618)
Medium oil on canvas
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Domenichino
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1581-1641
Italian
Domenichino Locations
Italian painter and draughtsman. On the basis of his frescoes and altarpieces he became established as the most influential exponent of the 17th-century classical style. Through his critical analysis of the art of Raphael and Annibale Carracci he was influential in the creation of a modern canon of the ancients; and he was perhaps the most complete example of a 17th-century artist struggling to reconcile tradition with the demand for spectacle.
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