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Francisco de Goya Spanish
1746-1828
Francisco de Goya Locations
was an Aragonese Spanish painter and printmaker. Goya was a court painter to the Spanish Crown and a chronicler of history. He has been regarded both as the last of the Old Masters and as the first of the moderns. The subversive and subjective element in his art, as well as his bold handling of paint, provided a model for the work of later generations of artists, notably Manet and Picasso.
Goya married Bayeu's sister Josefa in July 25, 1773. His marriage to Josefa (he nicknamed her "Pepa"), and Francisco Bayeu's membership of the Royal Academy of Fine Art (from the year 1765) helped him to procure work with the Royal Tapestry Workshop. There, over the course of five years, he designed some 42 patterns, many of which were used to decorate (and insulate) the bare stone walls of El Escorial and the Palacio Real de El Pardo, the newly built residences of the Spanish monarchs. This brought his artistic talents to the attention of the Spanish monarchs who later would give him access to the royal court. He also painted a canvas for the altar of the Church of San Francisco El Grande, which led to his appointment as a member of the Royal Academy of Fine Art.
In 1783, the Count of Floridablanca, a favorite of King Carlos III, commissioned him to paint his portrait. He also became friends with Crown Prince Don Luis, and lived in his house. His circle of patrons grew to include the Duke and Duchess of Osuna, whom he painted, the King and other notable people of the kingdom.
After the death of Charles III in 1788 and revolution in France in 1789, during the reign of Charles IV, Goya reached his peak of popularity with royalty.
Francisco de Goya the marquesa de la solana, c. 1792
paris, louvre
Painting ID:: 64326
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Francisco de Goya dona tadea arias de enriquez 1793-4
madrid, prado
Painting ID:: 66062
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Francisco de Goya Coleccion Castro Serna Asalto de ladrones, 1794. oleo sobre hojalata. 42 x 31 cm. Coleccion Castro Serna (Madrid, Espana).
Painting ID:: 66272
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Francisco de Goya Oleo sobre tabla Oleo sobre tabla. 47 x 35 cm. Museo de la Residencia Calasanz (Madrid, España). Inscripcixn del engulo inferior izquierdo: "Goya fecit año 1819".
Painting ID:: 66453
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Francisco de Goya Allegory of the City of Madrid Oil on canvas
260 x 195 cm
1810
Painting ID:: 67429
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Francisco de Goya Francisco de Goya y Lucientes Year 1786-1787
Technique Oil on canvas
Dimensions Deutsch: 112 X 145 cm
Painting ID:: 67430
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Francisco de Goya Francisco de Goya y Lucientes Year 1784
Technique Oil on canvas
Dimensions Deutsch: 127 X 101,5 cm
Painting ID:: 67637
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Francisco de Goya constitucion Title Español: Alegorea de la Constituci X n de 1812
Svenska: Sanningen, Tiden och Historien
English: Truth, Time and History
Year Unknown
Technique Oil on canvas
Dimensions 294 X 244 cm (115.75 X 96.06 in)
Painting ID:: 67696
X
Francisco de Goya Retrato del canonigo D. Jose Duaso y Latre, Retrato del canonigo D. Jose Duaso y Latre, oil on canvas, 74,5 x 59 cm.
Painting ID:: 67736
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Francisco de Goya Caza con reclamo Technique Cartones parra tapices. Óleo sobre lienzo
Dimensions 112 X 179 cm (44.09 X 70.47 in)
Painting ID:: 68508
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Francisco de Goya Anibal vencedor contempla Italia desde los Alpes Anibal vencedor contempla por primera vez Italia desde los Alpes. oleo sobre lienzo, 87 x 131,5 cm.
Painting ID:: 70492
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Francisco de Goya del carnero Cartones para tapices oleo sobre lienzo, 127.2 ?? 112.1 cm
Painting ID:: 70526
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Francisco de Goya The Inquisition Tribunal Medium English: Oil on panel
Dimensions Expression error: Missing operand for *46 ?? 73 cm
Painting ID:: 70588
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Francisco de Goya Allegory of the City of Madrid Medium Oil on canvas
Dimensions 260 x 195 cm
Painting ID:: 70688
X
Francisco de Goya Knaben mit Bluthunden Medium Oil on canvas
Dimensions Deutsch: 112 ?? 145 cm
Painting ID:: 70864
X
Francisco de Goya Das Blindekuhspiel Medium Oil on canvas
Dimensions 269 x 350 cm
Painting ID:: 70865
X
Francisco de Goya Caza con reclamo Medium Cartones parra tapices. oleo sobre lienzo
Dimensions 112 x 179 cm
Painting ID:: 70947
X
Francisco de Goya Asalto de ladrones oleo sobre hojalata. 42 x 31 cm
Painting ID:: 71778
X
Francisco de Goya El coloso El coloso. Óleo sobre lienzo, 116 x 105 cm. Museo del Prado
Painting ID:: 71955
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Francisco de Goya Boceto de la Verdad, «Boceto de la Verdad, la Historia y el Tiempo» (tambien conocido como «Alegorea de la adopcien de la Constitucien de 1812». Óleo sobre lienzo. 41 X 32,5 cm. Museum of Fine Arts (Boston, Estados Unidos).
Spanish
1746-1828
Francisco de Goya Locations
was an Aragonese Spanish painter and printmaker. Goya was a court painter to the Spanish Crown and a chronicler of history. He has been regarded both as the last of the Old Masters and as the first of the moderns. The subversive and subjective element in his art, as well as his bold handling of paint, provided a model for the work of later generations of artists, notably Manet and Picasso.
Goya married Bayeu's sister Josefa in July 25, 1773. His marriage to Josefa (he nicknamed her "Pepa"), and Francisco Bayeu's membership of the Royal Academy of Fine Art (from the year 1765) helped him to procure work with the Royal Tapestry Workshop. There, over the course of five years, he designed some 42 patterns, many of which were used to decorate (and insulate) the bare stone walls of El Escorial and the Palacio Real de El Pardo, the newly built residences of the Spanish monarchs. This brought his artistic talents to the attention of the Spanish monarchs who later would give him access to the royal court. He also painted a canvas for the altar of the Church of San Francisco El Grande, which led to his appointment as a member of the Royal Academy of Fine Art.
In 1783, the Count of Floridablanca, a favorite of King Carlos III, commissioned him to paint his portrait. He also became friends with Crown Prince Don Luis, and lived in his house. His circle of patrons grew to include the Duke and Duchess of Osuna, whom he painted, the King and other notable people of the kingdom.
After the death of Charles III in 1788 and revolution in France in 1789, during the reign of Charles IV, Goya reached his peak of popularity with royalty.
