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Francisco de Zurbaran
Saint Francis in Meditation
mk156
1639
Oil on canvas
152x99cm
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Francisco de Zurbaran
The Adolescence of the Virgin
mk159
c.1660
Oil on canvas
73.5x53.5cm
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Francisco de Zurbaran
The Immaculate one Concepcion
mk166
17th Century Painting al I wave Museum of the Art
Catalan Barcelona
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Francisco de Zurbaran
St. Franciscus in meditation
MK169
ca. 1639 Cloth 152x99cm National Gallery, Rewarded
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Francisco de Zurbaran
Saint Francis in Meditation
mk170
1639
Oil on canvas
162x137cm
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Francisco de Zurbaran
Saint Margaret of Antioch
mk170
1630-1364
Oil on canvas
163x105cm
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Francisco de Zurbaran
The Adoration of the Shepherds
1638
Oil on canvas,
267 x 185 cm
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Francisco de Zurbaran
Cup of Water and a Rose on a Silver Plate
c. 1630
Oil on canvas,
21,2 x 30,1 cm
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Francisco de Zurbaran
The Sudarium of St Veronica
1658-61
Oil on canvas,
104 x 84 cm
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Francisco de Zurbaran
Virgin Mary with Child and the Young St John the Baptist
1662
Oil on canvas,
169 x 127 cm
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Francisco de Zurbaran
The miracle of the hl. Hugo
mk186
1630-35
Sevilla, Museo Provincial de Bellas types
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Francisco de Zurbaran
The adoration of the shepherd
mk186
1638 Grenoble, muse of the Beaux-type
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Francisco de Zurbaran
Style life with lemon of orange and a rose
mk186
1633 Pasadena
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Francisco de Zurbaran
The Adoration of the Shepherds
nn09
1638-39
Oil on canvas
267x185cm
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Francisco de Zurbaran
Portrait of the Duke of Medinaceli
Oil on canvas
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Francisco de Zurbaran
Stilleben with oranges
mk234
1633
60x107cm
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Francisco de Zurbaran
The Lying-in-State of St Bonaventure
mk244
1629
Oil on canvas
245x220cm
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Francisco de Zurbaran
St Margaret
mk244
Oil on canvas
192x112cm
London
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Francisco de Zurbaran
still life with lemons,oranges and a rose
mk247
1633,oil on canvas,24.5x43.125 in,62.2x109.5 cm,norton simon museum,pasadena,ca,usa
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Francisco de Zurbaran
Probable self portrait of Francisco Zurbaran as Saint Luke,
Probable self-portrait of Francisco Zurbaran as Saint Luke, c. 1635?C1640.
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| Francisco de Zurbaran
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1598-1664
Spanish Francisco de Zurbaran Galleries
Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art..
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