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Francisco de Zurbaran 1598-1664
Spanish Francisco de Zurbaran Galleries
Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art..
Francisco de Zurbaran The Birth of the Virgin, The Birth of the Virgin, c. 1625?C1630, Pasadena, Norton Simon Museum
Painting ID:: 61773
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Francisco de Zurbaran Christ and the Virgin in the House at Nazareth, Christ and the Virgin in the House at Nazareth, c. 1631?C1640, Cleveland Museum of Art
Painting ID:: 61776
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Francisco de Zurbaran Saint Luke as a Painter before Christ on the Cross Saint Luke as a Painter before Christ on the Cross
Painting ID:: 61777
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Francisco de Zurbaran Santa Isabel de Portugal Santa Isabel de Portugal
Painting ID:: 61778
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Francisco de Zurbaran St Francis St Francis
Painting ID:: 61779
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Francisco de Zurbaran Inmaculada Concepcion Inmaculada Concepcion
Painting ID:: 61782
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Francisco de Zurbaran Saint Serapion Saint Serapion
Painting ID:: 61785
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Francisco de Zurbaran The Death of St. Bonaventure The Death of St. Bonaventure (The Body of St. Bonaventure in the Presence of Pope Gregory X and James I of Aragon)
Painting ID:: 61788
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Francisco de Zurbaran The Young Virgin The Young Virgin
Painting ID:: 61789
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Francisco de Zurbaran St Francis in Meditation St Francis in Meditation
Painting ID:: 64694
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Francisco de Zurbaran The House of Nazareth 1630 Oil on canvas Museum of Art, Cleveland Zurbar?n painted an important series of paintings for the Jeronymites of the monastery of Guadalupe. Here the mood varies from a vein of realism to visions of miracles and scenes of contemplation in which the mysticism of the great Estremaduran artist has mingled with his colors. Perhaps the finest of these scenes is the mystical House of Nazareth, in the Cleveland Museum. Artist:ZURBAR?N, Francisco de Title: The House of Nazareth, 1601-1650, Spanish , painting , religious
Painting ID:: 65605
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Francisco de Zurbaran christ crucified 1627
olja on canvas 290x168cm
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Painting ID:: 65606
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Francisco de Zurbaran miraculous cure of the blessed reginaud of orleaans 1626-1627
oil on canvas, 190x230cm
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Painting ID:: 65607
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Francisco de Zurbaran the virgin appears to the monks of soriano 1626-1627
oil on canvas, 190x230cm
se
Painting ID:: 65608
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Francisco de Zurbaran birth of st. pedro nolasco 1628-1634
oil on canvas, 166x212cm
se
Painting ID:: 65609
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Francisco de Zurbaran serapio 1628
oil on canvas, 120.5x103.5cm
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Painting ID:: 65610
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Francisco de Zurbaran peter tothe apostle appears 1629
oil on canvas, 179x223cm
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Painting ID:: 65611
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Francisco de Zurbaran peter the apostle appears to 1629
oil on canvas, 179x223cm
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Painting ID:: 65612
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Francisco de Zurbaran buenaventura at the council of lyon 1629-1630
oil oncanvas, 250x225cm
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Painting ID:: 65613
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Francisco de Zurbaran death of st. buenaventura 1629-30
oil on canvas, 250x225cm
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1598-1664
Spanish Francisco de Zurbaran Galleries
Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art..
