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Francisco de Zurbaran
1598-1664 Spanish Francisco de Zurbaran Galleries Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art..

 

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Francisco de Zurbaran The Birth of the Virgin, oil painting

Painting ID::  61772

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Francisco de Zurbaran
The Birth of the Virgin,
The Birth of the Virgin, c. 1625?C1630, Pasadena, Norton Simon Museum
   
   
     

 

 

Francisco de Zurbaran Christ and the Virgin in the House at Nazareth, oil painting

Painting ID::  61773

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Francisco de Zurbaran
Christ and the Virgin in the House at Nazareth,
Christ and the Virgin in the House at Nazareth, c. 1631?C1640, Cleveland Museum of Art
   
   
     

 

 

Francisco de Zurbaran Saint Luke as a Painter before Christ on the Cross oil painting

Painting ID::  61776

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Francisco de Zurbaran
Saint Luke as a Painter before Christ on the Cross
Saint Luke as a Painter before Christ on the Cross
   
   
     

 

 

Francisco de Zurbaran Santa Isabel de Portugal oil painting

Painting ID::  61777

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Francisco de Zurbaran
Santa Isabel de Portugal
Santa Isabel de Portugal
   
   
     

 

 

Francisco de Zurbaran St Francis oil painting

Painting ID::  61778

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Francisco de Zurbaran
St Francis
St Francis
   
   
     

 

 

Francisco de Zurbaran Inmaculada Concepcion oil painting

Painting ID::  61779

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Francisco de Zurbaran
Inmaculada Concepcion
Inmaculada Concepcion
   
   
     

 

 

Francisco de Zurbaran Saint Serapion oil painting

Painting ID::  61782

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Francisco de Zurbaran
Saint Serapion
Saint Serapion
   
   
     

 

 

Francisco de Zurbaran The Death of St. Bonaventure oil painting

Painting ID::  61785

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Francisco de Zurbaran
The Death of St. Bonaventure
The Death of St. Bonaventure (The Body of St. Bonaventure in the Presence of Pope Gregory X and James I of Aragon)
   
   
     

 

 

Francisco de Zurbaran The Young Virgin oil painting

Painting ID::  61788

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Francisco de Zurbaran
The Young Virgin
The Young Virgin
   
   
     

 

 

Francisco de Zurbaran St Francis in Meditation oil painting

Painting ID::  61789

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Francisco de Zurbaran
St Francis in Meditation
St Francis in Meditation
   
   
     

 

 

Francisco de Zurbaran The House of Nazareth oil painting

Painting ID::  64694

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Francisco de Zurbaran
The House of Nazareth
1630 Oil on canvas Museum of Art, Cleveland Zurbar?n painted an important series of paintings for the Jeronymites of the monastery of Guadalupe. Here the mood varies from a vein of realism to visions of miracles and scenes of contemplation in which the mysticism of the great Estremaduran artist has mingled with his colors. Perhaps the finest of these scenes is the mystical House of Nazareth, in the Cleveland Museum. Artist:ZURBAR?N, Francisco de Title: The House of Nazareth, 1601-1650, Spanish , painting , religious
   
   
     

 

 

Francisco de Zurbaran christ crucified oil painting

Painting ID::  65605

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Francisco de Zurbaran
christ crucified
1627 olja on canvas 290x168cm se
   
   
     

 

 

Francisco de Zurbaran miraculous cure of the blessed reginaud of orleaans oil painting

Painting ID::  65606

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Francisco de Zurbaran
miraculous cure of the blessed reginaud of orleaans
1626-1627 oil on canvas, 190x230cm se
   
   
     

 

 

Francisco de Zurbaran the virgin appears to the monks of soriano oil painting

Painting ID::  65607

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Francisco de Zurbaran
the virgin appears to the monks of soriano
1626-1627 oil on canvas, 190x230cm se
   
   
     

 

 

Francisco de Zurbaran birth of st. pedro nolasco oil painting

Painting ID::  65608

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Francisco de Zurbaran
birth of st. pedro nolasco
1628-1634 oil on canvas, 166x212cm se
   
   
     

 

 

Francisco de Zurbaran serapio oil painting

Painting ID::  65609

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Francisco de Zurbaran
serapio
1628 oil on canvas, 120.5x103.5cm se
   
   
     

 

 

Francisco de Zurbaran peter  tothe apostle appears oil painting

Painting ID::  65610

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Francisco de Zurbaran
peter tothe apostle appears
1629 oil on canvas, 179x223cm se
   
   
     

 

 

Francisco de Zurbaran peter the apostle appears to oil painting

Painting ID::  65611

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Francisco de Zurbaran
peter the apostle appears to
1629 oil on canvas, 179x223cm se
   
   
     

 

 

Francisco de Zurbaran buenaventura at the council of lyon oil painting

Painting ID::  65612

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Francisco de Zurbaran
buenaventura at the council of lyon
1629-1630 oil oncanvas, 250x225cm se
   
   
     

 

 

Francisco de Zurbaran death of st. buenaventura oil painting

Painting ID::  65613

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Francisco de Zurbaran
death of st. buenaventura
1629-30 oil on canvas, 250x225cm se
   
   
     

 

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Francisco de Zurbaran
1598-1664 Spanish Francisco de Zurbaran Galleries Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art..