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Oil Paintings
Come From United Kingdom
An option that you can own an 100% hand-painted oil painting from our talent artists. |
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Francisco de goya y Lucientes b. March 30, 1746, Fuendetodos, Spain--d. April 16, 1828,
Goya is considered the 18th Century's foremost painter and etcher of Spanish culture, known for his realistic scenes of battles, bullfights and human corruption. Goya lived during a time of upheaval in Spain that included war with France, the Inquisition, the rule of Napoleon's brother, Joseph, as the King of Spain and, finally, the reign of the Spanish King Ferdinand VII. Experts proclaim these events -- and Goya's deafness as a result of an illness in 1793 -- as central to understanding Goya's work, which frequently depicts human misery in a satiric and sometimes nightmarish fashion. From the 1770s he was a royal court painter for Charles III and Charles IV, and when Bonaparte took the throne in 1809, Goya swore fealty to the new king. When the crown was restored to Spain's Ferdinand VII (1814), Goya, in spite of his earlier allegiance to the French king, was reinstated as royal painter. After 1824 he lived in self-imposed exile in Bordeaux until his death, reportedly because of political differences with Ferdinand. Over his long career he created hundreds of paintings, etchings, and lithographs, among them Maya Clothed and Maya Nude (1798-1800); Caprichos (1799-82); The Second of May 1808 and The Third of May 1808 (1814); Disasters of War (1810-20); and The Black Paintings (1820-23). |
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Francisco de goya y Lucientes Witches- Sabbath 1789
Oil on canvas,
43 x 30 cm
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Francisco de goya y Lucientes Self-Portrait in the Workshop 1790-95
Oil on canvas,
42 x 28 cm
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Francisco de goya y Lucientes Picador Caught by the Bull 1793
Oil on tinplate,
43 x 32 cm
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Francisco de goya y Lucientes The Countess del Carpio c. 1793
Oil canvas,
181 x 122 cm
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Francisco de goya y Lucientes Fire at Night 1793-94
Oil on tinplate,
50 x 32 cm
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Francisco de goya y Lucientes The Yard of a Madhouse 1794
Oil on tinplate,
43,8 x 31,7 cm
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Francisco de goya y Lucientes Robbery c. 1794
Oil on canvas,
69 x 107,5 cm
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Francisco de goya y Lucientes The Marquesa de la Solana 1794-95
Oil on canvas,
183 x 124 cm
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Francisco de goya y Lucientes The Duchess of Alba 1795
Oil on canvas,
194 x 130 cm
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Francisco de goya y Lucientes Portrait of Francisco Bayeu c. 1795
Oil on canvas,
112 x 84 cm
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Francisco de goya y Lucientes St Gregory c. 1797
Oil on canvas,
188 x 113 cm
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Francisco de goya y Lucientes Witches in the Air 1797-98
Oil on canvas,
43,5 x 31,5 cm
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Francisco de goya y Lucientes The Bewitched Man c. 1798
Oil on canvas,
42,5 x 30,8 cm
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Francisco de goya y Lucientes La Tirana 1799
Oil on canvas,
206 x 130 cm
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Francisco de goya y Lucientes Pintor mk214
1797-8
21.9x15.2cm
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Francisco de goya y Lucientes Memory like a half-length mk261 marble statue in Florence, 79 centimeters high
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Francisco de goya y Lucientes Portrait of the Poet 60 x 49,5 cm Museo de Bellas Artes, Bilbao Leandro Fern?ndez de Morat?n (1760-1828) was a Spanish dramatist and poet. A supporter of Joseph Bonaparte, he lived in exile in France after Bonaparte fell. Moliere, whose works he translated, was his literary model. His plays, satiric and psychologically acute, include El s?de las ninas [the maidens?consent] (1806), for which he was denounced to the Inquisition. He was subsequently compelled to give up playwriting. He was a friend of Goya who painted his portrait twice, this one in Bilbao, and another in 1799 which is now in the Museo de la Real Academia de San Fernando, Madrid. Author: GOYA Y LUCIENTES, Francisco de Title: Portrait of the Poet Morat?n , 1801-1850 , Spanish Form: painting , portrait
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Francisco de goya y Lucientes Mournful Foreboding of What is to Come 1810 Etching, 175 x 220 mm - This is Plate 1 from the series The Disasters of War (Los desastres de la guerra). Author: GOYA Y LUCIENTES, Francisco de Title: Mournful Foreboding of What is to Come Form: graphics , 1801-1850 , Spanish , other
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Francisco de goya y Lucientes The same 1810-15 Etching and wash, 160 x 221 mm - This is Plate 3 from the series The Disasters of War (Los desastres de la guerra). Author: GOYA Y LUCIENTES, Francisco de Title: The same Form: graphics , 1801-1850 , Spanish , other
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Francisco de goya y Lucientes Birds of a Feather 1799 Etching and aquatint, 200 x 151 mm - This is Plate 5 (Tal para qual) from the series Los Caprichos. Godoy, the Chief Minister, was the target of Goya's satirical wit in several plates of Los Caprichos, for instance. in the etching entitled Birds of a Feather. According to contemporary commentaries this is a reference to Godoy and Queen Mar?a Luisa, in particular to an occasion when she was mocked by a group of washerwomen for her unseemly behaviour. Author: GOYA Y LUCIENTES, Francisco de Title: Birds of a Feather Form: graphics , 1801-1850 , Spanish , other
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Francisco de goya y Lucientes
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b. March 30, 1746, Fuendetodos, Spain--d. April 16, 1828,
Goya is considered the 18th Century's foremost painter and etcher of Spanish culture, known for his realistic scenes of battles, bullfights and human corruption. Goya lived during a time of upheaval in Spain that included war with France, the Inquisition, the rule of Napoleon's brother, Joseph, as the King of Spain and, finally, the reign of the Spanish King Ferdinand VII. Experts proclaim these events -- and Goya's deafness as a result of an illness in 1793 -- as central to understanding Goya's work, which frequently depicts human misery in a satiric and sometimes nightmarish fashion. From the 1770s he was a royal court painter for Charles III and Charles IV, and when Bonaparte took the throne in 1809, Goya swore fealty to the new king. When the crown was restored to Spain's Ferdinand VII (1814), Goya, in spite of his earlier allegiance to the French king, was reinstated as royal painter. After 1824 he lived in self-imposed exile in Bordeaux until his death, reportedly because of political differences with Ferdinand. Over his long career he created hundreds of paintings, etchings, and lithographs, among them Maya Clothed and Maya Nude (1798-1800); Caprichos (1799-82); The Second of May 1808 and The Third of May 1808 (1814); Disasters of War (1810-20); and The Black Paintings (1820-23).
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