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Francisco de goya y Lucientes
The Maja Nude
mk61
c.1796-1798
Oil on canvas
97x190cm
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Francisco de goya y Lucientes
The Parasol
mk61
1777
Oil on canvas
104x152cm
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Francisco de goya y Lucientes
May 2,1808,in Madrid The Charge of the Mamelukes
mk61
1814
Oil on canvas
266x345cm
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Francisco de goya y Lucientes
The Milimaid of Bordeaux
mk61
1827
Oil on canvas
74x68cm
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Francisco de goya y Lucientes
The Holy Family
mk61
c.1775-1780
Oil on canvas
200x148cm
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Francisco de goya y Lucientes
The Maja Clothed
mk61
c.1796-1798
Oil on canvas
95x190cm
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Francisco de goya y Lucientes
The Family of Charles IV
mk60
1800
Oil on canvas
280x336cm
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Francisco de goya y Lucientes
The Executios of May3,1808,1804
mk61
Oil on canvas
266x345cm
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Francisco de goya y Lucientes
Witches'Sabbath of The Great Goat
mk61
c.1820-1822
Oil on canvas
140x438cm
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Francisco de goya y Lucientes
El Aquelarre
mk156
1797-98
Oil on canvas
44x31cm
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Francisco de goya y Lucientes
Family of Charles IV
mk156
1800-1801
Oil on canvas
280x336cm
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Francisco de goya y Lucientes
The Clothed Maja
mk156
1800-03
Oil on canvas
95x190cm
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Francisco de goya y Lucientes
Third of May
mk156
1808
1814
Oil on canvas
266x345cm
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Francisco de goya y Lucientes
Devouring One of his Children
mk156
1820-1823
Oil on canvas
143.5x81.4cm
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Francisco de goya y Lucientes
Portrait of antonia zarate
mk159
c.1811
Oil on canvas
715x8cm
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Francisco de goya y Lucientes
The Bullifight
mk161
Oil on canvas
38x49
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Francisco de goya y Lucientes
Majas on a Balcony
mk161
Oil on canvas
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Francisco de goya y Lucientes
The third May
MK169
1808 , 1814 oil Paint on cloth 260x345cm
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Francisco de goya y Lucientes
Blazers
MK169
1799 Etching and aquatint 21.5x15cm
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Francisco de goya y Lucientes
The third May
MK169
1808,1814 oil Paint on cloth 260x345cm
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| Francisco de goya y Lucientes
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b. March 30, 1746, Fuendetodos, Spain--d. April 16, 1828,
Goya is considered the 18th Century's foremost painter and etcher of Spanish culture, known for his realistic scenes of battles, bullfights and human corruption. Goya lived during a time of upheaval in Spain that included war with France, the Inquisition, the rule of Napoleon's brother, Joseph, as the King of Spain and, finally, the reign of the Spanish King Ferdinand VII. Experts proclaim these events -- and Goya's deafness as a result of an illness in 1793 -- as central to understanding Goya's work, which frequently depicts human misery in a satiric and sometimes nightmarish fashion. From the 1770s he was a royal court painter for Charles III and Charles IV, and when Bonaparte took the throne in 1809, Goya swore fealty to the new king. When the crown was restored to Spain's Ferdinand VII (1814), Goya, in spite of his earlier allegiance to the French king, was reinstated as royal painter. After 1824 he lived in self-imposed exile in Bordeaux until his death, reportedly because of political differences with Ferdinand. Over his long career he created hundreds of paintings, etchings, and lithographs, among them Maya Clothed and Maya Nude (1798-1800); Caprichos (1799-82); The Second of May 1808 and The Third of May 1808 (1814); Disasters of War (1810-20); and The Black Paintings (1820-23).
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