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GUERCINO
Angels Weeping over the Dead Christ hj
1618
Oil on copper, 36 x 44 cm
National Gallery, London
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GUERCINO
Et in Arcadia Ego kh
1618-22
Oil on canvas, 82 x 91 cm
Galleria Nazionale d'Arte Antica, Rome
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GUERCINO
Aurora ig
1621
Fresco
Casino Ludovisi, Rome
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GUERCINO
Aurora ihi
1621-23
Fresco
Casino Ludovisi, Rome
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GUERCINO
A Donor Presented to the Virgin lkhi
1616
Oil on canvas, 309 x 192 cm
Mus??es Royaux des Beaux-Arts, Brussels
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GUERCINO
Ermina Finds the Wounded Tancred jg
1618-19
Oil on canvas, 145,5 x 187,5 cm
Galleria Doria-Pamphili, Rome
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GUERCINO
The Martyrdom of St Peter jg
1618-19
Oil on canvas, 320 x 193 cm
Galleria Estense, Modena
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GUERCINO
Return of the Prodigal Son klgh
1619
Oil on canvas, 106,5 x 143,5 cm
Kunsthistorisches Museum, Vienna
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GUERCINO
Raising of Lazarus hjf
c. 1619
Oil on canvas, 199 x 233 cm
Mus??e du Louvre, Paris
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GUERCINO
The Resurrected Christ Appears to the Virgin hf
1629
Oil on canvas, 260 x 179 cm
Pinacoteca Comunale, Cento
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GUERCINO
Samson Captured by the Philistines uig
1619
Oil on canvas
Metropolitan Museum of Art, New York
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GUERCINO
Susanna and the Elders kyh
1617
Oil on canvas, 175 x 207 cm
Museo del Prado, Madrid
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GUERCINO
St William of Aquitaine Receiving the Cowln ngb
1620
Oil on canvas
Pinacoteca Nazionale, Bologna
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GUERCINO
St Augustine Washing the Feet of the Redeemer kg
Oil on canvas
S. Agostino in Campo Marzio, Rome
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GUERCINO
St Augustine, St John the Baptist and St Paul the Hermit hf
Oil on canvas
S. Agostino in Campo Marzio, Rome
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GUERCINO
St Augustine sdg
Oil on canvas
S. Pietro in Vincoli, Rome
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GUERCINO
Martyrdom of St Catherine sdg
1653
Oil on canvas, 222,5 x 159 cm
The Hermitage, St. Petersburg
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GUERCINO
The Entombment of Christ sdg
1656
Oil on canvas
Art Institute of Chicago, Chicago
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GUERCINO
The Flagellation of Christ dg
1657
Oil on canvas 250 x 185 cm
Galleria Nazionale d'Arte Antica, Rome
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GUERCINO
St Francis with an Angel Playing Violin sdg
Oil on canvas, 162 x 127 cm
Gemäldegalerie, Dresden
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| GUERCINO
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Italian Baroque Era Painter, 1591-1666
best known as Guercino or Il Guercino, was an Italian Baroque painter from the region of Emilia, and active in Rome and Bologna. Guercino is Italian for squinter, a nickname that was given to him because he was cross-eyed. He is especially noted for his many superb drawings. Guercino was born at Cento, a village between Bologna and Ferrara. By the age of 17 he was associated with Benedetto Gennari, a painter of the Bolognese School. By 1615 he moved to Bologna, where his work earned the praise of an elder Ludovico Carracci. He painted two large canvases, Elijah Fed by Ravens and Samson Seized by Philistines, in what appears to be a stark naturalist Caravaggesque style (although it is unlikely he had been able to see any of the Roman Caravaggios first-hand). They were painted for Cardinal Serra, Papal Legate to Ferrara. The Arcadian Shepherds (Et in Arcadia ego) was painted in 1618 contemporary with The Flaying of Marsyas by Apollo in Palazzo Pitti. His first style, he often claimed, was influenced by a canvas of Carracci in Cento. Some of his later pieces approach rather to the manner of his great contemporary Guido Reni, and are painted with more lightness and clearness. Guercino was esteemed very highly in his lifetime. He was then recommended by Marchese Enzo Bentivoglio to the Bolognese Ludovisi Pope, Pope Gregory XV. His two years (1621-23) spent in Rome were very productive. From this stay date his frescoes of Aurora at the casino of the Villa Ludovisi and the ceiling in San Crisogono (1622) of San Chrysogonus in Glory; his portrait of Pope Gregory (now in the Getty Museum, and, what is considered his masterpiece, The Burial of Saint Petronilla or St. Petronilla Altarpiece, for the Vatican (now in the Museo Capitolini). The Franciscan order of Reggio in 1655 paid him 300 ducats for the altarpiece of Saint Luke Displaying a Painting of the Madonna and Child (now in Nelson-Atkins Museum of Art, Kansas City). The Corsini also paid him 300 ducats for the Flagellation of Christ painted in 1657.
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