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Giotto
Italian 1267-1337 Giotto Galleries Giotto di Bondone (c. 1267 ?C January 8, 1337), better known simply as Giotto, was an Italian painter and architect from Florence. He is generally considered the first in a line of great artists who contributed to the Italian Renaissance. Giotto's contemporary Giovanni Villani wrote that Giotto was "the most sovereign master of painting in his time, who drew all his figures and their postures according to nature. And he was given a salary by the commune [of Florence] in virtue of his talent and excellence." The later 16th century biographer Giorgio Vasari says of him "...He made a decisive break with the ...Byzantine style, and brought to life the great art of painting as we know it today, introducing the technique of drawing accurately from life, which had been neglected for more than two hundred years." Giotto's masterwork is the decoration of the Scrovegni Chapel in Padua, commonly called the Arena Chapel, completed around 1305. This fresco cycle depicts the life of the Virgin and the life of Christ. It is regarded as one of the supreme masterpieces of the Early Renaissance. That Giotto painted the Arena Chapel and that he was chosen by the commune of Florence in 1334 to design the new campanile (bell tower) of the Florence Cathedral are among the few certainties of his biography. Almost every other aspect of it is subject to controversy: his birthdate, his birthplace, his appearance, his apprenticeship, the order in which he created his works, whether or not he painted the famous frescoes at Assisi, and where he was eventually buried after his death.

 

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Giotto The Raising of Drusiana,Cappella Peruzzi oil painting

Painting ID::  33252

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Giotto
The Raising of Drusiana,Cappella Peruzzi
mk83 c.1320
   
   
     

 

 

Giotto The wedding to Guns De arouse-king of Lazarus, De bewening of Christ and Noli me tangera oil painting

Painting ID::  42608

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Giotto
The wedding to Guns De arouse-king of Lazarus, De bewening of Christ and Noli me tangera
MK169 details of the fresco decoration ca.1304-13 Scrovegni-chapel Padua
   
   
     

 

 

Giotto Bewening of Christ oil painting

Painting ID::  42609

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Giotto
Bewening of Christ
MK169 detail of 9.80 Fresco 231x202cm
   
   
     

 

 

Giotto The death of the knight of Celano oil painting

Painting ID::  45498

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Giotto
The death of the knight of Celano
mk186 1297-1300 Assisi, San Francesco, waiter church
   
   
     

 

 

Giotto The Ascension oil painting

Painting ID::  51702

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Giotto
The Ascension
nn09 c.1305-13
   
   
     

 

 

Giotto Detail of the Flight into Egypt oil painting

Painting ID::  51727

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Giotto
Detail of the Flight into Egypt
mk009 c.1305-13
   
   
     

 

 

Giotto Detail of the Presentation at the Temple oil painting

Painting ID::  51728

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Giotto
Detail of the Presentation at the Temple
nn09 c.1305-13 Fresco
   
   
     

 

 

Giotto Detail of Joachim-s Dream oil painting

Painting ID::  51729

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Giotto
Detail of Joachim-s Dream
nn09 c.1305-13
   
   
     

 

 

Giotto Detail of The Lamentation oil painting

Painting ID::  51730

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Giotto
Detail of The Lamentation
nn09 c.1305-13
   
   
     

 

 

Giotto Detail of the Last Judgment oil painting

Painting ID::  51757

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Giotto
Detail of the Last Judgment
NN09 c.1305-13
   
   
     

 

 

Giotto St.Francis Receiving the stigmata oil painting

Painting ID::  55907

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Giotto
St.Francis Receiving the stigmata
mk247 1297-99,fresco,106.75x90.5 in,270x230cm,
   
   
     

 

 

Giotto Presentation of the VIrgin ar the Temple oil painting

Painting ID::  55908

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Giotto
Presentation of the VIrgin ar the Temple
mk247 1304-06,fresco,78.75x72.75 in,200x185 cm,cappella degli scrovegni,padua,ltaly
   
   
     

 

 

Giotto The Meeting at the Golden Gate oil painting

Painting ID::  55909

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Giotto
The Meeting at the Golden Gate
mk247 1304-06,fresco,79x73 in,200x185cm,capella degli scrovegni(arena chapel),padua,ltaly
   
   
     

 

 

Giotto Noil me tangere oil painting

Painting ID::  55910

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Giotto
Noil me tangere
mk247 1304-06,fresco,78.5x72.5 in,200x185 cm,capella degli scrovegni(arena chapel),padua,ltaly
   
   
     

 

 

Giotto The Betrayal of Christ oil painting

Painting ID::  55911

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Giotto
The Betrayal of Christ
mk247 1304-06,fresco,79x73 in,200x185 cm,cappella degli scrovegni,padua,ltaly
   
   
     

 

 

Giotto Design sketch for the Campanile oil painting

Painting ID::  62953

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Giotto
Design sketch for the Campanile
1334 Parchment Museo dell'Opera del Duomo, Florence This plan shows the design for the bell tower of the Florentine cathedral. It most probably stems from Giotto, who was made "capomaestro" in the year the foundation stone was laid. Only the lowest storey was built according to this plan. Artist: GIOTTO di Bondone Painting Title: Design sketch for the Campanile , 1301-1350 Painting Style: Italian , , religious
   
   
     

 

       Prev    1  2

 

Giotto
Italian 1267-1337 Giotto Galleries Giotto di Bondone (c. 1267 ?C January 8, 1337), better known simply as Giotto, was an Italian painter and architect from Florence. He is generally considered the first in a line of great artists who contributed to the Italian Renaissance. Giotto's contemporary Giovanni Villani wrote that Giotto was "the most sovereign master of painting in his time, who drew all his figures and their postures according to nature. And he was given a salary by the commune [of Florence] in virtue of his talent and excellence." The later 16th century biographer Giorgio Vasari says of him "...He made a decisive break with the ...Byzantine style, and brought to life the great art of painting as we know it today, introducing the technique of drawing accurately from life, which had been neglected for more than two hundred years." Giotto's masterwork is the decoration of the Scrovegni Chapel in Padua, commonly called the Arena Chapel, completed around 1305. This fresco cycle depicts the life of the Virgin and the life of Christ. It is regarded as one of the supreme masterpieces of the Early Renaissance. That Giotto painted the Arena Chapel and that he was chosen by the commune of Florence in 1334 to design the new campanile (bell tower) of the Florence Cathedral are among the few certainties of his biography. Almost every other aspect of it is subject to controversy: his birthdate, his birthplace, his appearance, his apprenticeship, the order in which he created his works, whether or not he painted the famous frescoes at Assisi, and where he was eventually buried after his death.