Oil Paintings
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Gustave Guillaumet French Painter, 1840-1887
French painter and writer. He was a student of Fran?ois-Edouard Picot, Alexandre Abel de Pujol and F?lix Barrias. After failing to win the Prix de Rome in historical landscape in 1861, he impulsively visited Algeria the following year; this journey, which he repeated ten times, determined his development as an Orientalist painter. He was a regular exhibitor at the Salon from 1861 where his combination of picturesque realism and academic composition was positively received by the State as illustrative of its Algerian policies
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Painting ID:: 11218
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Gustave Guillaumet The Sahara(or The Desert) 1867(Salon of 1868)
3' 7 1/2'' x 6' 5''(110 x 200cm)Gift of the artist's family,1888
Painting ID:: 11281
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Gustave Guillaumet Evening Prayer in the Sahara 1863(Salon of 1863)
4' 6'' x 9' 1/4'' (137 x 285cm)
Painting ID:: 25235
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Gustave Guillaumet Ain Kerma (source du figuier) smala de Tiaret en Algerie (mk32) huile sur toile signee et datee 1867
142 x 104 cm Musee des Beaux-Arts Pau Exoposee au Salon de 1867 et offerte par Napoleon III au musee de pau
Painting ID:: 25236
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Gustave Guillaumet Dans Les dunes (mk32) ou huile sur toile signee et datee 1880 79 x 120 cm Anc Sotheby Londres
Painting ID:: 39995
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Gustave Guillaumet La Seguia,Near Biskra mk155
1885
Oil on canvas
100x155cm
Painting ID:: 39996
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Gustave Guillaumet Weavers at Bou-Saada mk155
undated
Oil on canvas
95x112cm
Painting ID:: 39997
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Gustave Guillaumet Evening Prayer in the Sahara mk155
1863
Oil on canvas
135x182cm
Painting ID:: 39998
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Gustave Guillaumet Laghouat Algerian Sahara mk155
1879
Oil on canvas
122x181cm
Painting ID:: 39999
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Gustave Guillaumet The Sahara mk155
1867
Oil on canvas
110x200cm
French Painter, 1840-1887
French painter and writer. He was a student of Fran?ois-Edouard Picot, Alexandre Abel de Pujol and F?lix Barrias. After failing to win the Prix de Rome in historical landscape in 1861, he impulsively visited Algeria the following year; this journey, which he repeated ten times, determined his development as an Orientalist painter. He was a regular exhibitor at the Salon from 1861 where his combination of picturesque realism and academic composition was positively received by the State as illustrative of its Algerian policies