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Oil Paintings
Come From United Kingdom
An option that you can own an 100% hand-painted oil painting from our talent artists. |
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Gustave Loiseau
French, 1865-1935
French painter. He was apprenticed first to a butcher and in 1880 to a house painter. It was not until 1887, when he received a small inheritance, that he was able to devote himself to painting. He spent a year studying modelling and design at the Ecole des Arts D?coratifs in Paris and then entered the studio of the French landscape painter Fernand Just Quignon (b 1854) for six months in 1889. After settling in 1890 in Pont-Aven in Brittany, where he met the painters Maxime Maufra and Henri Moret (1856-1913), he produced such carefully executed works as the Green Rocks (1893; Geneva, Petit Pal.). It was not until 1894, however, that he met Gauguin on the latter return from Tahiti, and though he did not accept Gauguin synthetist ideas the encounter led to a stronger structure and freer brushstrokes in his subsequent work. |
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Gustave Loiseau
The Eure River in Winter
ca 1903
2' 1 3/4'' x 2' 8''(65.5 x 81 cm)Gift of Durand-Ruel,1933
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Gustave Loiseau
Banks of the Seine
mk235
1902
Oil on canvas
65x81.5cm
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Gustave Loiseau
Orchard in Spring
mk235
c.1899-1900
Oil on canvas
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Gustave Loiseau
Cape Frehel and La Teignouse Cliffs
mk235
1906
Oil on canvas
60x73cm
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Gustave Loiseau
Le Port de Dieppe
1926(1926)
Medium Oil on canvas
Dimensions 24 x 29 in (61 x 73.7 cm)
cyf
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| Gustave Loiseau
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French, 1865-1935
French painter. He was apprenticed first to a butcher and in 1880 to a house painter. It was not until 1887, when he received a small inheritance, that he was able to devote himself to painting. He spent a year studying modelling and design at the Ecole des Arts D?coratifs in Paris and then entered the studio of the French landscape painter Fernand Just Quignon (b 1854) for six months in 1889. After settling in 1890 in Pont-Aven in Brittany, where he met the painters Maxime Maufra and Henri Moret (1856-1913), he produced such carefully executed works as the Green Rocks (1893; Geneva, Petit Pal.). It was not until 1894, however, that he met Gauguin on the latter return from Tahiti, and though he did not accept Gauguin synthetist ideas the encounter led to a stronger structure and freer brushstrokes in his subsequent work.
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