Oil Paintings
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Henri Pierre Danloux 1753-1809 French
French painter and draughtsman. He was orphaned at an early age and was brought up by an uncle who was an architect and contractor. Around 1770 his uncle apprenticed him to Nicolas-Bernard Lpici. He exhibited for the first time in 1771 at the Exposition de la Jeunesse in Paris, where he showed a Drunkard at a Table (untraced). About 1773 he was admitted into the studio of Joseph-Marie Vien, whom he followed to Rome in 1775 on the latter appointment as Director of the Academie de France. Danloux sketchbooks show that he also travelled to Naples, Palermo, Florence and Venice. He was not interested in the monuments of antiquity but concentrated instead on drawing landscapes and, in particular, portraits, among them that of Jacques-Louis David.
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Painting ID:: 696
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Henri Pierre Danloux Mademoiselle Rosalie Duthe 1792
Painting ID:: 64340
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Henri Pierre Danloux delille dictating his works. c 1801
versailles, museum
Painting ID:: 76905
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Henri Pierre Danloux The Baron de Besenval in his Study 1791(1791)
Medium Oil on canvas
Dimensions 46.5 ?? 37 cm (18.3 ?? 14.6 in)
cyf
Painting ID:: 76910
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Henri Pierre Danloux Portrait de Mademoiselle Rosalie Duthe Date 1792(1792)
Medium Oil on canvas
cyf
Painting ID:: 76999
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Henri Pierre Danloux Baron de Besenval in his Salon de Compagnie Date 1791(1791)
Medium Oil on canvas
Dimensions 46.5 ?? 37 cm (18.3 ?? 14.6 in)
cyf
Painting ID:: 78054
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Henri Pierre Danloux Ludwig Heinrich Joseph von Bourbon 1797(1797)
Oil on canvas
41 x 34 cm (16.1 x 13.4 in)
cjr
Painting ID:: 81819
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Henri Pierre Danloux le Romain 1770(1770)
Medium Oil on canvas
Dimensions 76 x 65 cm (29.9 x 25.6 in)
cyf
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Henri Pierre Danloux
1753-1809 French
French painter and draughtsman. He was orphaned at an early age and was brought up by an uncle who was an architect and contractor. Around 1770 his uncle apprenticed him to Nicolas-Bernard Lpici. He exhibited for the first time in 1771 at the Exposition de la Jeunesse in Paris, where he showed a Drunkard at a Table (untraced). About 1773 he was admitted into the studio of Joseph-Marie Vien, whom he followed to Rome in 1775 on the latter appointment as Director of the Academie de France. Danloux sketchbooks show that he also travelled to Naples, Palermo, Florence and Venice. He was not interested in the monuments of antiquity but concentrated instead on drawing landscapes and, in particular, portraits, among them that of Jacques-Louis David.
