Oil Paintings
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Hieronymus Bosch Netherlandish Northern Renaissance Painter, ca.1450-1516, Flemish painter. His surname was originally van Aeken; Bosch refers to 's Hertogenbosch, where he was born and worked. Little is known of his life and training, although it is clear that he belonged to a family of painters. His paintings, executed in brilliant colors and with an uncanny mastery of detail, are filled with strangely animated objects, bizarre plants and animals, and monstrous, amusing, or diabolical figures believed to have been suggested by folk legends, allegorical poems, moralizing religious literature, and aspects of late Gothic art. Such works as the Garden of Earthly Delights (Prado) appear to be intricate allegories; their symbolism, however, is obscure and has consistently defied unified interpretation. Bosch clearly had an interest in the grotesque, the diabolical, the exuberant, and the macabre. He also may have been the first European painter to depict scenes of everyday life, although often with a strong element of the bizarre. King Philip II of Spain collected some of his finest creations. The Temptation of St. Anthony (Lisbon) and The Last Judgment were recurring themes. Other examples of his art may be seen in the Escorial and in Brussels. Examples of the Adoration of the Magi are in the Metropolitan Museum and in the Philadelphia Museum, which also has the Mocking of Christ. Bosch, who deeply influenced the work of Peter Bruegel the Elder, was hailed in the 20th cent. as a forerunner of the surrealists, and his work continues to influence many contemporary artists.
Hieronymus Bosch The Holle MK186
1503/04 Madrids, Museo del Prado
Painting ID:: 48641
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Hieronymus Bosch Convey mk191
1510-1516
oil on board of Oak
76.7x83.5cm
Painting ID:: 48642
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Hieronymus Bosch Detial of Convey mk191
oil on board of oak
Painting ID:: 48643
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Hieronymus Bosch Detial of Convey mk191
Oil on board of oak
Painting ID:: 48644
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Hieronymus Bosch Detial of Convey mk191
Oil on board of oak
Painting ID:: 48645
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Hieronymus Bosch Detial of Convey mk191
Oil on board of oak
Painting ID:: 49481
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Hieronymus Bosch Taskspelaren mk198
53x65cm
Museum Saint Germain - a Laye,nara Paris
Painting ID:: 55988
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Hieronymus Bosch garden of earthly delights mk247
c.1504,oil on wood,86.675x76.75 in(panel) 86.675x38.125 in (shutters) ,museo del prado,madrid,spain
Painting ID:: 57286
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Hieronymus Bosch Ship of Fools mk255 for in 1491. 0.58 x 0.33 meters canvas. Paris, the Louvre
Painting ID:: 67382
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Hieronymus Bosch den vanstra flygeln i ustarnas tradgard se
Painting ID:: 67390
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Hieronymus Bosch detalj ur mittpanelen i konungarnas tillbedjan se
Painting ID:: 70782
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Hieronymus Bosch vagen till golgata olja pa tra 32x57cm
1923
se
Painting ID:: 71740
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Hieronymus Bosch The Seven Deadly Sins and the Four Last Things Hieronymus Bosch- The Seven Deadly Sins and the Four Last Things - Gluttony
Painting ID:: 72053
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Hieronymus Bosch Saint John the Evangelist on Patmos. between 1489(1489) and 1499(1499)
Oil on panel
63 X 43.3 cm (24.8 X 17.05 in)
cjr
Painting ID:: 72196
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Hieronymus Bosch The Garden of Earthly Delights tryptich, The Garden of Earthly Delights tryptich, centre panel - detail 6 (c. 1504-1510, Oil on panel)
Painting ID:: 72317
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Hieronymus Bosch Christ Crowned with Thorns. ca. 1533 (1530-1550)
Oil on panel
165 X 195 cm (64.96 X 76.77 in)
cjr
Painting ID:: 73632
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Hieronymus Bosch Ritt durch Wasser English: Bosch, Ernst: A Ride through Water: Safe Crossing), 21 1/2 x 27 1/4 Inches
Date ca. 1870
cyf
Painting ID:: 79892
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Hieronymus Bosch The Temptation of Saint Anthony. c. 1520 or shortly afterwards (1515-1530)
Oil on panel
88 x 72 cm (34.6 x 28.3 in)
cjr
Painting ID:: 80741
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Hieronymus Bosch Saint James and the magician Hermogenes. Date 1550-1575
Medium Oil on panel
Dimensions 62 x 41 cm (24.4 x 16.1 in)
cjr
Painting ID:: 81825
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Hieronymus Bosch Concert in the Egg Date ca. 1561(1561) (1550-1575)
Medium Oil on canvas
Dimensions 108 x 126.5 cm (42.5 x 49.8 in)
cjr
Netherlandish Northern Renaissance Painter, ca.1450-1516, Flemish painter. His surname was originally van Aeken; Bosch refers to 's Hertogenbosch, where he was born and worked. Little is known of his life and training, although it is clear that he belonged to a family of painters. His paintings, executed in brilliant colors and with an uncanny mastery of detail, are filled with strangely animated objects, bizarre plants and animals, and monstrous, amusing, or diabolical figures believed to have been suggested by folk legends, allegorical poems, moralizing religious literature, and aspects of late Gothic art. Such works as the Garden of Earthly Delights (Prado) appear to be intricate allegories; their symbolism, however, is obscure and has consistently defied unified interpretation. Bosch clearly had an interest in the grotesque, the diabolical, the exuberant, and the macabre. He also may have been the first European painter to depict scenes of everyday life, although often with a strong element of the bizarre. King Philip II of Spain collected some of his finest creations. The Temptation of St. Anthony (Lisbon) and The Last Judgment were recurring themes. Other examples of his art may be seen in the Escorial and in Brussels. Examples of the Adoration of the Magi are in the Metropolitan Museum and in the Philadelphia Museum, which also has the Mocking of Christ. Bosch, who deeply influenced the work of Peter Bruegel the Elder, was hailed in the 20th cent. as a forerunner of the surrealists, and his work continues to influence many contemporary artists.
