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J.M.W. Turner The Fighting Temeraire Tugged to her Last Berth to be Broken Up mk87
1838
Oil on canvas
90.8x121.9cm
London,National Gallery
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J.M.W. Turner Rain,Steam and Speed-The Great Western Railway mk87
1844
Oil on canvas
91x122cm
London,National Gallery
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J.M.W. Turner Snow Storm-Steam Boat off a Harbour-s Mouth making Signals in Shallow Water,and going by the Lead.The Author was in this Storm on the Night the Ariel mk87
1842
Oil on canvas
91.5x122cm
London,Tate Gallery
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J.M.W. Turner Yacht Approaching the Coast mk126
ca.1835-40
Oil on canvas
102x142cm
London
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J.M.W. Turner Snow Storm-Steam-Boat off a Harbour-s Mouth mk126
1842
Oil on canvas
91.5x1222cm
Tate,London
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J.M.W. Turner The Lake mk216
Sunset Fighting Bucks
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J.M.W. Turner View of Cologne on the Rhine mk221
1817
19.5x30.5cm
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J.M.W. Turner St. Anselm-s Chapel with part of Thomas-a-Becket-s Crown,Canterbury mk230
Watercolour
51.7x37.4cm
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J.M.W. Turner Self-Portrait mk230
ca.1798
Oil on canvas
74.5x58.5cm
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J.M.W. Turner The Archbishop-s Palace,Lambeth mk230
ra.1790
26.3x37.8cm
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J.M.W. Turner The Pantheon,the morning after the fire mk230
ar.1792
watercolour
39.5x51.5cm
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J.M.W. Turner Transept of Ewenny Priory mk230
ra.1797
Watercolour
40x55.9cm
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J.M.W. Turner The Decline of the cathaginian Empire mk230
ra.1817
Oil o ncanvas
170x238.5cm
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J.M.W. Turner Fishmen at sea mk230
ra.1796
Oil on canvas
91.5x122.4cm
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J.M.W. Turner Dutch Boats in a Gale mk230
Oil on canvas
162.5x222cm
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J.M.W. Turner The Shipwreck mk230
1805
Oil on canvas
170.5x241.5cm
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J.M.W. Turner The Fall of an Avalanche in the Grison mk230
1810
Oil on canvas
90x120cm
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J.M.W. Turner Calais Pier,with French Poissards preparing for sea mk230
1803
oil on canvas
172x240cm
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J.M.W. Turner Sun Rising through Vapour mk230
ra.1807
Oil on canvas
134.5x179cm
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J.M.W. Turner The Wreck of a transport ship mk230
c.1810
Oil on canvas
172.7x241.2cm
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J.M.W. Turner
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English Romantic Painter, 1775-1851 landscape master
landscape master .British painter and printmaker. He dominated British landscape painting throughout the first half of the 19th century. He established a reputation in the Royal Academy, London, first as a topographical watercolourist and then within a few years as a painter of Sublime and historical landscapes.
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