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Jan van Goyen Farmyard with Haystack Oil on wood
Residenzgalerie
Salzburg
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Jan van Goyen Haymaking Oil on wood,
31,5 x 50,5 cm
Pushkin Museum
Moscow
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Jan van Goyen Landscape with Dunes 1630-35
Oil on panel,
54 x 37,5 cm
Kunsthistorisches
Museum, Vienna
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Jan van Goyen Marine Landscape with fishermen Oil on wood
36,1 x 32,2 cm
Museum of Fine
Arts, Budapest
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Jan van Goyen Peasant Huts with Sweep Well 1633
Oil on oak,
55 x 80 cm
Gemaldegalerie, Dresden
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Jan van Goyen River Landscape with a Windmill and Ruined Castle 1644Oil on canvas
97x133 cmLouvre
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Jan van Goyen A View on the Maas near Dordrecht 1643Oil on canvas
101,5 x 183,5 cm
The Hermitage,
St. Petersburg
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Jan van Goyen View of Merwede before Dordrecht Oil on wood
Rijksmuseum
Amsterdam
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Jan van Goyen Village at the River 1636Wood,
39,5 x 60 cm
Alte Pinakothek,
Munich
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Jan van Goyen Beach at Scheveningen 1646Oil on canvas
92,1 x 108 cm
Thyssen-
Bornemisza
Collection,Madrid
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Jan van Goyen Horse Cart on a Bridge 1648
Oil on wood,
37 x 66 cm
Alte Pinakothek,
Munich
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Jan van Goyen River Scene 1652
Oil on canvas,
66,7 x 98 cm
Wallraf-Richartz
Museum, Cologne
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Jan van Goyen Jan van Goyen 16
Seashore at
Scheveningen
1645Oil on wood
53 x 71 cm
The Hermitage,
St. Petersburg
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Jan van Goyen View of Dordrecht 1644Oil on canvas
97 x 148 cm
Musees Royaux
des Beaux-Arts,
Brussels
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Jan van Goyen View of Leiden 1650Oil on canvas
Stedelijk Museum
De Lakenhal,
Leiden
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Jan van Goyen Landscape with Dunes (mk08) c.1630-1635
Oil on panel.
54x37.5cm
Vienna,Kunsthistorisches Museum
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Jan van Goyen River Landscape (mk08) 1636
Oil on panel
39.5x60cm
Munich,Bayerische Staatsgemalde-sammlungen,Alte Pinakothek
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Jan van Goyen Landscape with Dune mk86
c.1630-1635
Oil on panel
54x37.5cm
Vienna,Kunsthistorisches Museum
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Jan van Goyen River Landscape mk86
1636
Oil on panel
39.5x60cm
Munich,Bayerische Staatsgemalde-sammlungen,
Alte Pinakothek
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Jan van Goyen View of Dordrecht across the river Merwede mk150
1644
Canvas
103.5x133cm
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Jan van Goyen
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Dutch Baroque Era Painter, 1596-1656
Jan van Goyen was born in Leiden on Jan. 13, 1596. Apprenticed from the age of 10, he had several masters. About 1617 he went to Haarlem to study with Esaias van de Velde, an important innovator in the Haarlem movement of realistic landscape painting. Van Goyen's works between 1621 and 1625 are sometimes hard to distinguish from those of his teacher. They are colorful, detailed views of villages and roads, usually busy with people, as in Winter (1621). It was Van Goyen's usual practice to sign or monogram and date his paintings. He traveled extensively through the Netherlands and beyond, recording his impressions in sketchbooks, occasionally with dates and often depicting recognizable scenes. Thus the chronology of his development is clear. His paintings of the late 1620s show a steady advance from the strong colors and scattered organization of his early works toward tonality and greater simplicity and unity of composition. By 1630 he was painting monochromes in golden brown or pale green; he played a leading part in the tonal phase of Dutch landscape painting. In 1631 Van Goyen settled in The Hague, where he became a citizen in 1634. The simplicity, airiness, and unification of his compositions continued to increase in his abundant production of dune landscapes, river views, seascapes, town views, and winter landscapes. The River View (1636) displays a river so open and extensive as to suggest the sea, with reflections that prolong the vast and luminous sky. In its monumentalization of humble structures and its composition built on a firm scaffolding of horizontal and vertical forces, it forecast at this early date developments that dominated landscape painting in the 1650s and later. In the Village and Dunes (1647) the traditional double-diagonal composition still exists, but it is dominated by horizontal and vertical accents. Stronger contrasts of light and dark replace the earlier tonality. In the last year of his life Van Goyen produced an eloquent new style, in which powerful forms stand out against the radiant sky and water in an exquisitely balanced composition (Evening Calm; 1656). The commission in 1651 to paint a panoramic view of The Hague for the Burgomaster's Room shows the high regard in which Van Goyen was held. He was enormously productive; well over 1,000 of his paintings still exist, and almost as many drawings.
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