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Oil Paintings Come From United Kingdom
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Jan van Huysum
1682-1749 Dutch Jan Van Huysum Galleries He was the brother of Jacob van Huysum, and the son of Justus van Huysum, who is said to have been expeditious in decorating doorways, screens and vases. A picture by Justus is preserved in the gallery of Brunswick, representing "Orpheus and the Beasts in a wooded landscape", and here we have some explanation of his son's fondness for landscapes of a conventional and Arcadian kind; for Jan van Huysum, though skilled as a painter of still life, believed himself to possess the genius of a landscape painter. Half his pictures in public galleries are landscapes, views of imaginary lakes and harbours with impossible ruins and classic edifices, and woods of tall and motionless trees-the whole very glossy and smooth, and entirely lifeless. The earliest dated work of this kind is that of 1717, in the Louvre, a grove with maidens culling flowers near a tomb, ruins of a portico, and a distant palace on the shores of a lake bounded by mountains. Some of the finest of van Huysum's fruit and flower pieces have been in English private collections: those of 1723 in the earl of Ellesmere's gallery, others of 1730-1732 in the collections of Hope and Ashburton. One of the best examples is now in the National Gallery, London (1736-1737). No public museum has finer and more numerous specimens than the Louvre, which boasts of four landscapes and six panels with still life; then come Berlin and Amsterdam with four fruit and flower pieces; then St Petersburg, Munich, Hanover, Dresden, the Hague, Brunswick, Vienna, Carlsruhe, Boston and Copenhagen.

 

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Jan van Huysum Still Life of Flowers in a Vase on a Marble Ledge oil painting

Painting ID::  2216

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Jan van Huysum
Still Life of Flowers in a Vase on a Marble Ledge

   
   
     

 

 

Jan van Huysum Flowers oil painting

Painting ID::  2218

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Jan van Huysum
Flowers
1722 The Hermitage, St.Petersburg
   
   
     

 

 

Jan van Huysum Fruit Still Life oil painting

Painting ID::  2220

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Jan van Huysum
Fruit Still Life
Rijksmuseum, Amsterdam
   
   
     

 

 

Jan van Huysum Hollyhocks and other Flowers in a Vase oil painting

Painting ID::  2221

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Jan van Huysum
Hollyhocks and other Flowers in a Vase
1710 National Gallery, London
   
   
     

 

 

Jan van Huysum Basket of Flowers oil painting

Painting ID::  2223

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Jan van Huysum
Basket of Flowers

   
   
     

 

 

Jan van Huysum Still Life with Flower oil painting

Painting ID::  2225

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Jan van Huysum
Still Life with Flower

   
   
     

 

 

Jan van Huysum Vase of Flowers on a Socle oil painting

Painting ID::  2228

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Jan van Huysum
Vase of Flowers on a Socle

   
   
     

 

 

Jan van Huysum Still Life with Fruit and Flowers oil painting

Painting ID::  2231

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Jan van Huysum
Still Life with Fruit and Flowers

   
   
     

 

 

Jan van Huysum Bouquet of Flowers in an Urn by Jan van Huysum, oil painting

Painting ID::  59421

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Jan van Huysum
Bouquet of Flowers in an Urn by Jan van Huysum,
"Bouquet of Flowers in an Urn" by Jan van Huysum, from 1724.
   
   
     

 

 

Jan van Huysum stilleben oil painting

Painting ID::  67363

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Jan van Huysum
stilleben
se
   
   
     

 

 

Jan van Huysum Still-life of grapes and a peach on a table-top oil painting

Painting ID::  74520

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Jan van Huysum
Still-life of grapes and a peach on a table-top
17th century cjr
   
   
     

 

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Jan van Huysum
1682-1749 Dutch Jan Van Huysum Galleries He was the brother of Jacob van Huysum, and the son of Justus van Huysum, who is said to have been expeditious in decorating doorways, screens and vases. A picture by Justus is preserved in the gallery of Brunswick, representing "Orpheus and the Beasts in a wooded landscape", and here we have some explanation of his son's fondness for landscapes of a conventional and Arcadian kind; for Jan van Huysum, though skilled as a painter of still life, believed himself to possess the genius of a landscape painter. Half his pictures in public galleries are landscapes, views of imaginary lakes and harbours with impossible ruins and classic edifices, and woods of tall and motionless trees-the whole very glossy and smooth, and entirely lifeless. The earliest dated work of this kind is that of 1717, in the Louvre, a grove with maidens culling flowers near a tomb, ruins of a portico, and a distant palace on the shores of a lake bounded by mountains. Some of the finest of van Huysum's fruit and flower pieces have been in English private collections: those of 1723 in the earl of Ellesmere's gallery, others of 1730-1732 in the collections of Hope and Ashburton. One of the best examples is now in the National Gallery, London (1736-1737). No public museum has finer and more numerous specimens than the Louvre, which boasts of four landscapes and six panels with still life; then come Berlin and Amsterdam with four fruit and flower pieces; then St Petersburg, Munich, Hanover, Dresden, the Hague, Brunswick, Vienna, Carlsruhe, Boston and Copenhagen.