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Jean-Auguste Dominique Ingres
French Neoclassical Painter, 1780-1867 was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy. A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..

 

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Jean-Auguste Dominique Ingres Male Torso oil painting

Painting ID::  2038

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Jean-Auguste Dominique Ingres
Male Torso
1800 Ecole des Beaux Arts, Paris
   
   
     

 

 

Jean-Auguste Dominique Ingres The Golden Age (mk35) oil painting

Painting ID::  24777

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Jean-Auguste Dominique Ingres
The Golden Age (mk35)
1862 Oil on paper mounted on a Wood Panel 47.9 x 62.9 cm The Fogg Art Museum Harvard University Art Museums,Cambridge (MA)
   
   
     

 

 

Jean-Auguste Dominique Ingres The Great Odalisque (mk35) oil painting

Painting ID::  24925

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Jean-Auguste Dominique Ingres
The Great Odalisque (mk35)
1814 La grande odalisque Oil on canvas 91 x 62 cm Musee du Louvre Paris
   
   
     

 

 

Jean-Auguste Dominique Ingres Le Bain turc (mk32) oil painting

Painting ID::  25144

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Jean-Auguste Dominique Ingres
Le Bain turc (mk32)
Huile sur toile marouflee sur bois signee,datee MDCCCLXII aetatis LXXXII diametre 108 cm Musee du Louvre Paris
   
   
     

 

 

Jean-Auguste Dominique Ingres Odalisque avec esclave (mk32) oil painting

Painting ID::  25194

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Jean-Auguste Dominique Ingres
Odalisque avec esclave (mk32)
huile sur toile signee et datee 1842 76 x 105.4 cm Walters Art Gallery Baltimore
   
   
     

 

 

Jean-Auguste Dominique Ingres Back View of a Bather oil painting

Painting ID::  28834

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Jean-Auguste Dominique Ingres
Back View of a Bather
1807 Oil on canvas 51 x 42 cm Bayonne Musee Bonnat (mk64)
   
   
     

 

 

Jean-Auguste Dominique Ingres Count N.D.Guriev oil painting

Painting ID::  29345

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Jean-Auguste Dominique Ingres
Count N.D.Guriev
mk65 1821 Oil on canvas 42x34"
   
   
     

 

 

Jean-Auguste Dominique Ingres Self-Portrait oil painting

Painting ID::  30061

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Jean-Auguste Dominique Ingres
Self-Portrait
mk67 Oil on canvas 24 3/8x20 1/16in
   
   
     

 

 

Jean-Auguste Dominique Ingres fRoger rescuing Angelique oil painting

Painting ID::  30141

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Jean-Auguste Dominique Ingres
fRoger rescuing Angelique
mk64 1819 Oil on canvas 147x190cm Paris
   
   
     

 

 

Jean-Auguste Dominique Ingres Apotheosis of Homer oil painting

Painting ID::  30683

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Jean-Auguste Dominique Ingres
Apotheosis of Homer
mk68 Oil on canvas Paris, Louvre
   
   
     

 

 

Jean-Auguste Dominique Ingres Turkish Bath oil painting

Painting ID::  30710

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Jean-Auguste Dominique Ingres
Turkish Bath
mk68 Oil on canvas Pais, Louvre 1862 France
   
   
     

 

 

Jean-Auguste Dominique Ingres Tete de la grande odalisque couchee oil painting

Painting ID::  31044

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Jean-Auguste Dominique Ingres
Tete de la grande odalisque couchee
mk71 Toile H.0.54 L.0.43 Musee de Cambrai
   
   
     

 

 

Jean-Auguste Dominique Ingres The comtesse d'haussonville oil painting

Painting ID::  31841

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Jean-Auguste Dominique Ingres
The comtesse d'haussonville
mk76 Date 1845 Oil on canvas 51 7/8x36 1/4in
   
   
     

 

 

Jean-Auguste Dominique Ingres Details of The comtesse d'haussonville oil painting

Painting ID::  31842

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Jean-Auguste Dominique Ingres
Details of The comtesse d'haussonville
mk76 Date 1845 Oil on canvas 51 7/8x36 1/4in
   
   
     

 

 

Jean-Auguste Dominique Ingres Paolo and Francesca, oil painting

Painting ID::  32593

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Jean-Auguste Dominique Ingres
Paolo and Francesca,
mk79 c. 1855-60, Oil on canvas
   
   
     

 

 

Jean-Auguste Dominique Ingres Madame Motessier Seated oil painting

Painting ID::  33852

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Jean-Auguste Dominique Ingres
Madame Motessier Seated
mk87 1856 Oil on canvas 120x92.1cm London,National Gallery
   
   
     

 

 

Jean-Auguste Dominique Ingres Joan of Arc at the Coronation of Charles VII in Reims oil painting

Painting ID::  33862

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Jean-Auguste Dominique Ingres
Joan of Arc at the Coronation of Charles VII in Reims
mk87 Cathedral 1854 Oil on canvas 240x178cm Paris,Musee National du Louvre
   
   
     

 

 

Jean-Auguste Dominique Ingres The Turkish Bath oil painting

Painting ID::  33863

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Jean-Auguste Dominique Ingres
The Turkish Bath
mk87 1862 Oil on canvas,diameter 108cm Paris,Musee National du Loouvre
   
   
     

 

 

Jean-Auguste Dominique Ingres Valpincon Bather oil painting

Painting ID::  33864

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Jean-Auguste Dominique Ingres
Valpincon Bather
mk87 1808 Oil on canvas 146x97.5cm Paris,Musee National du Louvre
   
   
     

 

 

Jean-Auguste Dominique Ingres Mademoiselle Riviere oil painting

Painting ID::  33865

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Jean-Auguste Dominique Ingres
Mademoiselle Riviere
mk87 1806 Oil on cnavas 100x70cm Paris,Musee National du Louvre
   
   
     

 

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Jean-Auguste Dominique Ingres
French Neoclassical Painter, 1780-1867 was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy. A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..