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Jean-Auguste Dominique Ingres The Turkish bath mk198
1863
108cm in diameter Louvren,Paris
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Jean-Auguste Dominique Ingres Victoria nn09
detail of the Apotheosis of Homer
1827
Oil on canvas
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Jean-Auguste Dominique Ingres Countess mk227
oil on canvas
92x73cm
1812
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Jean-Auguste Dominique Ingres Countess mk227
120x92cm
1856
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Jean-Auguste Dominique Ingres Portrait of countess mk227
146.7x100.3cm
1851
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Jean-Auguste Dominique Ingres Portrait of Liwi mk227
115x90cm
1804-1805
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Jean-Auguste Dominique Ingres Mis liwi mk227
oil on canvas
99.5x64.5cm
1806
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Jean-Auguste Dominique Ingres Ms Markte mk227
93x74cm
1826
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Jean-Auguste Dominique Ingres Maeki mk227
Oil on canvas
1811
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Jean-Auguste Dominique Ingres Yusifu mk227
75.2x58.1cm
1810
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Jean-Auguste Dominique Ingres Zaerxi mk227
93.7x69.4cm
1810
Oil on canvas
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Jean-Auguste Dominique Ingres Portrait of Fulong mk227
55x46cm
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Jean-Auguste Dominique Ingres Portrait of Per mk227
64.8x54.5cm
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Jean-Auguste Dominique Ingres Portrait of Lady mk227
116x82cn
1805
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Jean-Auguste Dominique Ingres Portrait of Lady mk227
1805
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Jean-Auguste Dominique Ingres Love and beautiful goddess mk227
1808-1848
Oil on canvas
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Jean-Auguste Dominique Ingres Bather mk227
116x82cm
1808
Oil on canvas
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Jean-Auguste Dominique Ingres Vinasi mk227
oil on canvas
1822
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Jean-Auguste Dominique Ingres lady-in-waiting and bondman mk227
1839
Oil on canvas
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Jean-Auguste Dominique Ingres Man mk227
1800
Oil on canvas
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Jean-Auguste Dominique Ingres
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French Neoclassical Painter, 1780-1867
was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy.
A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..
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