|
|
|
Jean-Auguste Dominique Ingres Portrait of Jili mk227
107x86cm
1821
Oil on canvas
|
|
|
|
|
|
|
|
|
|
Jean-Auguste Dominique Ingres Mrs. Yake mk227
Oil on canvas
119.4x92.7cm
1823
|
|
|
|
|
|
|
|
|
|
Jean-Auguste Dominique Ingres Man mk227
Oil on canvas
96.5x78.5cm
1811
|
|
|
|
|
|
|
|
|
|
Jean-Auguste Dominique Ingres Lady of Henli mk227
73x62cm
1845-1852
Oil on canvas
|
|
|
|
|
|
|
|
|
|
Jean-Auguste Dominique Ingres Davi mk227
Oil on canvas
103x83.5cm
1826
|
|
|
|
|
|
|
|
|
|
Jean-Auguste Dominique Ingres Portrait of Bier mk227
116x95cm
1832
Oil on canvas
|
|
|
|
|
|
|
|
|
|
Jean-Auguste Dominique Ingres Portrait of Bier in detail mk227
Oil on canvas
|
|
|
|
|
|
|
|
|
|
Jean-Auguste Dominique Ingres Lady of Fulideli mk227
Oil on canvas
60x47cm
1846
|
|
|
|
|
|
|
|
|
|
Jean-Auguste Dominique Ingres Portrait of woman mk227
59x49cm
Oil on canvas
|
|
|
|
|
|
|
|
|
|
Jean-Auguste Dominique Ingres Portrait of old man mk227
oil on canvas
105.1x94cm
|
|
|
|
|
|
|
|
|
|
Jean-Auguste Dominique Ingres Portrait of Derfina mk227
Oil on canvas
63x50cm
1859
|
|
|
|
|
|
|
|
|
|
Jean-Auguste Dominique Ingres Goddess mk227
oil on canvas
1854cm
|
|
|
|
|
|
|
|
|
|
Jean-Auguste Dominique Ingres Zhulute and Xitixi mk227
Oil on canvas
1811
|
|
|
|
|
|
|
|
|
|
Jean-Auguste Dominique Ingres Portrait of Ausongwi mk227
Oil on canvas
136x32cm
1845
|
|
|
|
|
|
|
|
|
|
Jean-Auguste Dominique Ingres Portrait of Bedi mk227
Oil on canvas
141.8x101.5cm
1848
|
|
|
|
|
|
|
|
|
|
Jean-Auguste Dominique Ingres Yileyatei mk227
Oil on canvas
1855
|
|
|
|
|
|
|
|
|
|
Jean-Auguste Dominique Ingres Portrait of Yase mk227
Oil on canvas
56x46cm
1805
|
|
|
|
|
|
|
|
|
|
Jean-Auguste Dominique Ingres Portrait of Lolun mk227
Oil on canvas
98x80cm
1805
|
|
|
|
|
|
|
|
|
|
Jean-Auguste Dominique Ingres Study of Princess mk227
oil on canvas
121.3x90.8cm
|
|
|
|
|
|
|
|
|
|
Jean-Auguste Dominique Ingres Study of Princess in detail mk227
|
|
|
|
|
|
|
|
| |
|
|
Jean-Auguste Dominique Ingres
|
French Neoclassical Painter, 1780-1867
was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy.
A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..
|