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John William Waterhouse Hylas and the Nymphs 1896
Manchester City Art Galleries
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John William Waterhouse Marianne Leaving the Judgment Seat of Herod 1887
Forbes Magazine Collection, New York, USA
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John William Waterhouse Ophelia 1894
Private collection
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John William Waterhouse Penelope and the Suitors 1912
Aberdeen Art Gallery and Museum
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John William Waterhouse St.Cecilia 1895
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John William Waterhouse St.Eulalia 1885
Tate Gallery, London
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John William Waterhouse The Awakening of Adonis 1900
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John William Waterhouse The Orange Gatherers 1890
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John William Waterhouse The Remorse of Nero after the Murder of his Mother 1878
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John William Waterhouse Thisbe 1909
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John William Waterhouse 1909 1891
National Gallery of Victoria, Melbourne
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John William Waterhouse Two Little Italian Girls By a Village 1875
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John William Waterhouse Portrait of Miss Margaret Henderson 1900
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John William Waterhouse Ophelia (mk19) undated
Oil on canvas,102 x 64 cm
The Pre-Raphaelite Trust,London
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John William Waterhouse Resting mk58
c.1886
watercolour and bodycolour on paper
35.5x18cm
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John William Waterhouse After the Dance mk58
1876
oil on canvas
76.2x127cm
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John William Waterhouse The Lady of Shalott (nn03) 1888
Oil on canvas 153 x 200 cm
60 1/2 x 78 3/4 in Tate Gallery London
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John William Waterhouse St Cecilia (m41) 1895
Courtest Sotheby's
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John William Waterhouse A Flower Stall (mk41) 1880
22x31in
Newcastle-upon-Tyne,Laing Art Gallery
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John William Waterhouse An Eastern Reminiscence (mk41) 1874
Courtesy Peter Nahum
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John William Waterhouse
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English Pre-Raphaelite Painter, 1849-1917
English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.
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