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MASACCIO Italian Early Renaissance Painter, 1401-1428
was the first great painter of the Quattrocento period of the Italian Renaissance. His frescoes are the earliest monuments of Humanism, and introduce a plasticity previously unseen in figure painting. The name Masaccio is a humorous version of Tommaso, meaning "big", "fat", "clumsy" or "messy" Tom. The name was created to distinguish him from his principal collaborator, also called Tommaso, who came to be known as Masolino ("little/delicate Tom"). Despite his brief career, he had a profound influence on other artists. He was one of the first to use scientific perspective in his painting, employing techniques such as vanishing point in art for the first time. He also moved away from the Gothic style and elaborate ornamentation of artists like Gentile da Fabriano to a more natural mode that employed perspective for greater realism. Masaccio was born to Giovanni di Mone Cassa??i and Jacopa di Martinozzo in Castel San Giovanni di Altura, now San Giovanni Valdarno (now part of the province of Arezzo, Tuscany). His father was a notary and his mother the daughter of an innkeeper of Barberino di Mugello, a town a few miles south of Florence. His family name, Cassai, comes from the trade of his grandfather Simone and granduncle Lorenzo, who were carpenters - cabinet makers ("casse", hence "cassai"). His father died in 1406, when Tommaso was only five; in that year another brother was born, called Giovanni after the dead father. He also was to become a painter, with the nickname of "Scheggia" meaning "splinter". The mother was remarried to an elderly apothecary, Tedesco, who guaranteed Masaccio and his family a comfortable childhood.
MASACCIO The cijnspenning MK169
ca. 1427 Fresco 254x590cm
Painting ID:: 42617
X
MASACCIO The Saint Three-unity MK169
1425 Fresco 667x317cm
Painting ID:: 42618
X
MASACCIO Verdrijving from the paradise MK169
ca. 1427 Fresco Brancacci-chapel
Painting ID:: 42832
X
MASACCIO The Virgin and Child with Angels mk170
1426
Tempera on poplar
135.5x73cm
Painting ID:: 42833
X
MASACCIO Saints Jerome and john the Baptist mk170
1428
Tempera on poplar
114x55cm
Painting ID:: 44854
X
MASACCIO The Tribute Money mk176
c.1425
Painting ID:: 52221
X
MASACCIO Profile Portrait of a Young Man 1425 Wood National Gallery of Art
Painting ID:: 53682
X
MASACCIO Madonna and child mk234
1426
135x75cm
Painting ID:: 53683
X
MASACCIO Utdrivelsen from paradise mk234
about 1427
205x90cm
Painting ID:: 53684
X
MASACCIO Petrus botar de sjuka med sin skugga mk234
1425
Painting ID:: 55926
X
MASACCIO Tribute money mk247
c.1426,fresco,100x234 in,255x598cm,brancacci chapel,santa maria del carmine,florence,ltaly
Painting ID:: 55927
X
MASACCIO Virgin and Child mk247
1426,egg tempera on wood 53.125x29 in,135x73.5cm,national gallery.london,uk
Painting ID:: 55928
X
MASACCIO The Trinity mk247
1428,fresco,262.5x124.875 in,667x317 cm,santa maria novella,florence,ltaly
Painting ID:: 56803
X
MASACCIO Holy Trinity mk250 Florence, Italy, and Maria church, about the year 1428. Frescoes, 640.1 x 317.5 cm.
Painting ID:: 58291
X
MASACCIO Mary exciting mk261 Florence in 1426 egg tempera of wood 24.5 x 18 cm
Painting ID:: 59771
X
MASACCIO Holy Trinity, Holy Trinity, in full: "Trinity with the Virgin, Saint John the Evangelist, and Donors" (1425-27/28) - Fresco, Santa Maria Novella, Florence
Painting ID:: 59772
X
MASACCIO The Tribute Money, fresco in the Brancacci Chapel in Santa Maria del Carmine, Florence The Tribute Money, fresco in the Brancacci Chapel in Santa Maria del Carmine, Florence
Painting ID:: 59773
X
MASACCIO When it was cleaned When it was cleaned, Tommaso Masaccio's fresco of The Expulsion (1426?C1427) lost the added fig leaves.
Painting ID:: 59774
X
MASACCIO Resurrection of the Son of Theophilus Resurrection of the Son of Theophilus
Painting ID:: 59775
X
MASACCIO Fresco in the Brancacci Chapel in Santa Maria del Carmine, Florence Fresco in the Brancacci Chapel in Santa Maria del Carmine, Florence
Italian Early Renaissance Painter, 1401-1428
was the first great painter of the Quattrocento period of the Italian Renaissance. His frescoes are the earliest monuments of Humanism, and introduce a plasticity previously unseen in figure painting. The name Masaccio is a humorous version of Tommaso, meaning "big", "fat", "clumsy" or "messy" Tom. The name was created to distinguish him from his principal collaborator, also called Tommaso, who came to be known as Masolino ("little/delicate Tom"). Despite his brief career, he had a profound influence on other artists. He was one of the first to use scientific perspective in his painting, employing techniques such as vanishing point in art for the first time. He also moved away from the Gothic style and elaborate ornamentation of artists like Gentile da Fabriano to a more natural mode that employed perspective for greater realism. Masaccio was born to Giovanni di Mone Cassa??i and Jacopa di Martinozzo in Castel San Giovanni di Altura, now San Giovanni Valdarno (now part of the province of Arezzo, Tuscany). His father was a notary and his mother the daughter of an innkeeper of Barberino di Mugello, a town a few miles south of Florence. His family name, Cassai, comes from the trade of his grandfather Simone and granduncle Lorenzo, who were carpenters - cabinet makers ("casse", hence "cassai"). His father died in 1406, when Tommaso was only five; in that year another brother was born, called Giovanni after the dead father. He also was to become a painter, with the nickname of "Scheggia" meaning "splinter". The mother was remarried to an elderly apothecary, Tedesco, who guaranteed Masaccio and his family a comfortable childhood.
