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MORONI, Giovanni Battista A Gentleman in Adoration before the Madonna wg 1560
Oil on canvas
National Gallery of Art, Washington
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MORONI, Giovanni Battista Portrait of Jacopo Foscarini agd 1575
Oil on canvas, 105 x 83,5 cm
Museum of Fine Arts, Budapest
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MORONI, Giovanni Battista Gian Lodovico Madruzzo ag 1551-52
Oil on canvas
Art Institute of Chicago, Chicago
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MORONI, Giovanni Battista Portrait of Antonio Navagero sg 1565
Oil on canvas, 115 x 90 cm
Pinacoteca di Brera, Milan
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MORONI, Giovanni Battista Portrait of a Man sgy Oil on canvas, 37,5 x 50 cm
The Hermitage, St. Petersburg
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MORONI, Giovanni Battista Portrait of a Soldier sg 1555-59
Oil on canvas, 119 x 91 cm
Museo del Prado, Madrid
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MORONI, Giovanni Battista The Taylor sg c. 1570
Oil on canvas, 97 x 74 cm
National Gallery, London
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MORONI, Giovanni Battista Portrait of a Man mk65
Oil on canvas
23x19 1/2"
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MORONI, Giovanni Battista Portrait of a Noblewoman mk67
Oil on canvas
20 7/8x17 15/16in
Pitti,Palatine Gallery
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MORONI, Giovanni Battista Portrait of a Gentllman with a Book mk67
Oil on canvas
27 3/16x24in
Uffizi,Gallery
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MORONI, Giovanni Battista Portrait of Giovanni Antonio Pantera mk67
Oil on canvas
31 7/8x24 13/16in
Uffizi,Gallery
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MORONI, Giovanni Battista Portrait of Pietro Secco Suardo mk67
Oil on canvas
72 1/16x40 3/16in
Uffizi,Gallery
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MORONI, Giovanni Battista Portrait of an Old Man mk67
Oil on canvas
20 11/16x17 7/8in
Pitti,Palatine Gallery
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MORONI, Giovanni Battista The Sculptor Alessandro Vittoria mk150
1552
canvas
87.5x70cm
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MORONI, Giovanni Battista The Incredulity of Saint Thomas mk170
1504
Oil on synthetic panel
294x199.4cm
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MORONI, Giovanni Battista David and Jonathan mk170
circa 1510
Oil on wood
40.6x39.4cm
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MORONI, Giovanni Battista Saint Jerome in the Desert mk170
1505-1510
Oil on wood
32.1x25.4cm
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MORONI, Giovanni Battista Gian Lodovico Madruzzo 1551-52
Oil on canvas
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MORONI, Giovanni Battista The Gentleman in Pink 1560
Oil on canvas
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MORONI, Giovanni Battista
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Italian Mannerist Painter, ca.1520-1578
.Italian painter. He was the most significant painter of the 16th-century school of Bergamo and is best known for his portraits, which feature a naturalistic rendering of both faces and costume and an objective approach to character.
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