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Oil Paintings Come From United Kingdom
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NATTIER, Jean-Marc
French Rococo Era Painter, 1685-1766 Brother of Jean-Baptiste Nattier. As well as being taught by his father, he trained with his godfather, Jean Jouvenet, and attended the drawing classes of the Acad?mie Royale, where in 1700 he won the Premier Prix de Dessin. From around 1703 he worked on La Galerie du Palais du Luxembourg. The experience of copying the work of Rubens does not, however, seem to have had a liberating effect on his draughtsmanship, which was described by the 18th-century collector Pierre-Jean Mariette as 'cold'. Nattier was commissioned to make further drawings for engravers in the early part of his career, including those after Hyacinthe Rigaud's famous state portrait of Louis XIV (1701; Paris, Louvre) in 1710, which indicates that he had established a reputation while he was still quite young. Although he was offered a place at the Acad?mie de France in Rome on the recommendation of Jouvenet, Nattier preferred to remain in Paris and further his career. In 1717 he nevertheless made a trip to Holland, where he painted portraits of Peter the Great and the Empress Catherine (St Petersburg, Hermitage).

 

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NATTIER, Jean-Marc Marie Adelaide of France as Flora ag oil painting

Painting ID::  8335

X 
 

NATTIER, Jean-Marc
Marie Adelaide of France as Flora ag
1742 Oil on canvas, 94,5 x 128,5 cm Galleria degli Uffizi, Florence
   
   
     

 

 

NATTIER, Jean-Marc Marie Adelaide of France as Diana sg oil painting

Painting ID::  8336

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NATTIER, Jean-Marc
Marie Adelaide of France as Diana sg
1745 Oil on canvas, 95 x 128 cm Galleria degli Uffizi, Florence
   
   
     

 

 

NATTIER, Jean-Marc Madame Marsollier and her Daughter sg oil painting

Painting ID::  8337

X 
 

NATTIER, Jean-Marc
Madame Marsollier and her Daughter sg
1749 Oil on canvas Metropolitan Museum of Art, New York
   
   
     

 

 

NATTIER, Jean-Marc Madame Victoire ag oil painting

Painting ID::  8338

X 
 

NATTIER, Jean-Marc
Madame Victoire ag
1748 Oil on canvas, 64 x 81 cm Mus??e de Versailles, Versailles
   
   
     

 

 

NATTIER, Jean-Marc Portrait of a Young Woman Painter sg oil painting

Painting ID::  8339

X 
 

NATTIER, Jean-Marc
Portrait of a Young Woman Painter sg
Oil on canvas La Cour d'Or, Mus??es de Metz, Metz
   
   
     

 

 

NATTIER, Jean-Marc Mademoiselle de Clermont en Sultane sg oil painting

Painting ID::  8340

X 
 

NATTIER, Jean-Marc
Mademoiselle de Clermont en Sultane sg
1733 Oil on canvas, 109 x 105 cm Wallace Collection, London
   
   
     

 

 

NATTIER, Jean-Marc Comtesse Tessin age oil painting

Painting ID::  8341

X 
 

NATTIER, Jean-Marc
Comtesse Tessin age
1741 Oil on canvas, 81 x 65 cm Mus??e du Louvre, Paris
   
   
     

 

 

NATTIER, Jean-Marc Comtesse de Tillieres sg oil painting

Painting ID::  8342

X 
 

NATTIER, Jean-Marc
Comtesse de Tillieres sg
1750 Oil on canvas, 80 x 63 cm Wallace Collection, London
   
   
     

 

 

NATTIER, Jean-Marc Portrait of Madame Maria Zeffirina sg oil painting

Painting ID::  8343

X 
 

NATTIER, Jean-Marc
Portrait of Madame Maria Zeffirina sg
1751 Oil on canvas, 70 x 82 cm Galleria degli Uffizi, Florence
   
   
     

 

 

NATTIER, Jean-Marc Marie Leczinska oil painting

Painting ID::  44053

X 
 

NATTIER, Jean-Marc
Marie Leczinska
1748 Oil on canvas
   
   
     

 

 

NATTIER, Jean-Marc Portrait of Peter the Great oil painting

Painting ID::  49071

X 
 

NATTIER, Jean-Marc
Portrait of Peter the Great
mk193 1717 Oil on canvas 142.5x110cm
   
   
     

 

 

NATTIER, Jean-Marc princesse de Masseran oil painting

Painting ID::  67213

X 
 

NATTIER, Jean-Marc
princesse de Masseran
Description Charlotte Louise de Rohan (1722-1786), princesse de Masseran.jpg English: Painting of Charlotte Louise de Rohan, daughter of Hercule M??riadec de Rohan, Prince of Gu??m??n?? and Louise Gabrielle Julie de Rohan, by Nattier Date 1738
   
   
     

 

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NATTIER, Jean-Marc
French Rococo Era Painter, 1685-1766 Brother of Jean-Baptiste Nattier. As well as being taught by his father, he trained with his godfather, Jean Jouvenet, and attended the drawing classes of the Acad?mie Royale, where in 1700 he won the Premier Prix de Dessin. From around 1703 he worked on La Galerie du Palais du Luxembourg. The experience of copying the work of Rubens does not, however, seem to have had a liberating effect on his draughtsmanship, which was described by the 18th-century collector Pierre-Jean Mariette as 'cold'. Nattier was commissioned to make further drawings for engravers in the early part of his career, including those after Hyacinthe Rigaud's famous state portrait of Louis XIV (1701; Paris, Louvre) in 1710, which indicates that he had established a reputation while he was still quite young. Although he was offered a place at the Acad?mie de France in Rome on the recommendation of Jouvenet, Nattier preferred to remain in Paris and further his career. In 1717 he nevertheless made a trip to Holland, where he painted portraits of Peter the Great and the Empress Catherine (St Petersburg, Hermitage).