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Oil Paintings Come From United Kingdom
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PARMIGIANINO
Italian Mannerist Painter, 1503-1540 Italian painter, draughtsman and printmaker. Beginning a career that was to last only two decades, he moved from precocious success in the shadow of Correggio in Parma to be hailed in the Rome of Clement VII as Raphael reborn. There he executed few large-scale works but was introduced to printmaking. After the Sack of Rome in 1527, he returned to northern Italy, where in his final decade he created some of his most markedly Mannerist works. Equally gifted as a painter of small panels and large-scale frescoes both sacred and profane, he was also one of the most penetrating portrait painters of his age.

 
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PARMIGIANINO Portrait of a Man oil painting

Painting ID::  92318

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 PARMIGIANINO
Portrait of a Man
between 1528(1528) and 1530(1530) Medium oil on panel Dimensions Height: 52 cm (20.5 in). Width: 42 cm (16.5 in). cjr
   
   
     

 

 
PARMIGIANINO Bardi Altarpiece oil painting

Painting ID::  94743

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 PARMIGIANINO
Bardi Altarpiece
1521 Type Tempera on panel Dimensions 203 cm x 130 cm (80 in x 51 in) cyf
   
   
     

 

 
PARMIGIANINO Portrait of Galeazzo Sanvitale oil painting

Painting ID::  94748

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 PARMIGIANINO
Portrait of Galeazzo Sanvitale
1524 Type Oil on canvas Dimensions 109 cm x 81 cm (43 in x 32 in) cyf
   
   
     

 

 
PARMIGIANINO Portrait of Lorenzo Cybo oil painting

Painting ID::  94749

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 PARMIGIANINO
Portrait of Lorenzo Cybo
1524 Type Oil on panel Dimensions 126 cm x 104 cm (50 in x 41 in) cyf
   
   
     

 

 
PARMIGIANINO Virgin and Child oil painting

Painting ID::  97279

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 PARMIGIANINO
Virgin and Child
between 1525(1525) and 1527(1527) Medium oil on panel cyf
   
   
     

 

 
PARMIGIANINO Madonna with Long Nec Detail oil painting

Painting ID::  97858

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 PARMIGIANINO
Madonna with Long Nec Detail
1534-1540 Medium oil on panel cyf
   
   
     

 
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PARMIGIANINO
Italian Mannerist Painter, 1503-1540 Italian painter, draughtsman and printmaker. Beginning a career that was to last only two decades, he moved from precocious success in the shadow of Correggio in Parma to be hailed in the Rome of Clement VII as Raphael reborn. There he executed few large-scale works but was introduced to printmaking. After the Sack of Rome in 1527, he returned to northern Italy, where in his final decade he created some of his most markedly Mannerist works. Equally gifted as a painter of small panels and large-scale frescoes both sacred and profane, he was also one of the most penetrating portrait painters of his age.