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PERRONNEAU, Jean-Baptiste
French Rococo Era Painter, ca.1715-1783 French pastellist, painter and engraver. He was, with his older contemporary Maurice Quentin de La Tour, the most important pastel artist and portrait painter in 18th-century France. Perronneau trained first with the engraver Laurent Cars and then with the successful portrait painter Hubert Drouais. His work as an engraver, which includes prints after Charles-Joseph Natoire, Fran?ois Boucher, Edme Bouchardon and Carle Vanloo (see Vaillat and Ratouis de Limay,), did not continue beyond the 1730s. Nevertheless, his involvement with Cars, much of whose work consisted in the reproduction of portraits by artists such as Hyacinthe Rigaud, left its mark on the composition of his pastels, most of which employ the bust-length format, often within a feigned stone oval typical of 17th- and 18th-century engraved portraits. His early pastel portrait of Mme Desfriches (1744; France, A.M. Ratouis de Limay priv. col.), mother of his friend and patron, the Orl?ans collector Aignan-Thomas Desfriches,

 

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PERRONNEAU, Jean-Baptiste Madame de Sorquainville af oil painting

Painting ID::  8497

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PERRONNEAU, Jean-Baptiste
Madame de Sorquainville af
1749 Oil on canvas, 101 x 81 cm Mus??e du Louvre, Paris
   
   
     

 

 

PERRONNEAU, Jean-Baptiste Portrait of Jacques Cazotte af oil painting

Painting ID::  8498

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PERRONNEAU, Jean-Baptiste
Portrait of Jacques Cazotte af
1760-64 Oil on canvas, 92 x 73 cm National Gallery, London
   
   
     

 

 

PERRONNEAU, Jean-Baptiste Portrait of Charles le Normant du Coudray af oil painting

Painting ID::  8499

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PERRONNEAU, Jean-Baptiste
Portrait of Charles le Normant du Coudray af
Oil on canvas, 62 x 48 cm Mus??e Cognacq-Jay, Paris
   
   
     

 

 

PERRONNEAU, Jean-Baptiste A Girl with a Kitten oil painting

Painting ID::  19827

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PERRONNEAU, Jean-Baptiste
A Girl with a Kitten
1745 Pastel National Gallery, London.
   
   
     

 

 

PERRONNEAU, Jean-Baptiste Antoine Le Moyne oil painting

Painting ID::  19828

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PERRONNEAU, Jean-Baptiste
Antoine Le Moyne
1747 Pastel.
   
   
     

 

 

PERRONNEAU, Jean-Baptiste Portrait of the Painter Jean-Baptiste Oudry oil painting

Painting ID::  19829

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PERRONNEAU, Jean-Baptiste
Portrait of the Painter Jean-Baptiste Oudry
Oil on canvas Mus??e du Louvre, Paris.
   
   
     

 

 

PERRONNEAU, Jean-Baptiste Madame de Sorquainville (mk05) oil painting

Painting ID::  20743

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PERRONNEAU, Jean-Baptiste
Madame de Sorquainville (mk05)
1749 Canvas 40 x 32''(101 x 81 cm)Given in 1937 R.F.1937-8
   
   
     

 

 

PERRONNEAU, Jean-Baptiste Jean-Baptiste Oudry Painter (mk05) oil painting

Painting ID::  20744

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PERRONNEAU, Jean-Baptiste
Jean-Baptiste Oudry Painter (mk05)
Canvas 51 1/2 x 41 1/4''(131 x 105 cm)Reception picture for the Academie Royale de Peinture et de Sculpture 1753 Collection of the Academie Royale INV 7158(MN)
   
   
     

 

 

PERRONNEAU, Jean-Baptiste A Boy with a Book oil painting

Painting ID::  28329

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PERRONNEAU, Jean-Baptiste
A Boy with a Book
mk60 1740 Oil on canvas 25x20 1/2"
   
   
     

 

 

PERRONNEAU, Jean-Baptiste A Girl with a Kitten oil painting

Painting ID::  43254

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PERRONNEAU, Jean-Baptiste
A Girl with a Kitten
mk170 1745 Pastl on paper 59.1x49.8cm
   
   
     

 

 

PERRONNEAU, Jean-Baptiste nee de Parseval oil painting

Painting ID::  79187

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PERRONNEAU, Jean-Baptiste
nee de Parseval
1747(1747) Medium Oil on canvas Dimensions 64.9 x 52.5 cm (25.6 x 20.7 in) cyf
   
   
     

 

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PERRONNEAU, Jean-Baptiste
French Rococo Era Painter, ca.1715-1783 French pastellist, painter and engraver. He was, with his older contemporary Maurice Quentin de La Tour, the most important pastel artist and portrait painter in 18th-century France. Perronneau trained first with the engraver Laurent Cars and then with the successful portrait painter Hubert Drouais. His work as an engraver, which includes prints after Charles-Joseph Natoire, Fran?ois Boucher, Edme Bouchardon and Carle Vanloo (see Vaillat and Ratouis de Limay,), did not continue beyond the 1730s. Nevertheless, his involvement with Cars, much of whose work consisted in the reproduction of portraits by artists such as Hyacinthe Rigaud, left its mark on the composition of his pastels, most of which employ the bust-length format, often within a feigned stone oval typical of 17th- and 18th-century engraved portraits. His early pastel portrait of Mme Desfriches (1744; France, A.M. Ratouis de Limay priv. col.), mother of his friend and patron, the Orl?ans collector Aignan-Thomas Desfriches,