Oil Paintings
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Pollard, James English, 1792-1867
Painter and etcher, son of Robert Pollard. His early career was spent in the shadow of his father, for whom he worked as an etcher of miscellaneous sporting subjects before establishing himself c. 1820 as a sporting painter in his own right. A typical example is Doncaster Races: Horses Starting for the St Leger (1831; Paul Mellon priv. col.). Following a commission from the King's Printseller, Edward Orme, for an inn signboard showing a coach and horses, Pollard began to specialize in coaching scenes.
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Painting ID:: 19909
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Pollard, James The Last Mail Leaving Newcastle, July 5, 1847 Oil on panel.
Painting ID:: 19910
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Pollard, James Hatchetts- The White Horse Cellar, Piccadilly Oil on canvas.
Painting ID:: 27315
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Pollard, James Springing Them up to meet the Train and Just in time for the Coach to Hull both signed one dated 1843-oil on panel 6 1/2 x 9 1/4 in (16.5 x 23.5 cm) (mk59)
Painting ID:: 27435
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Pollard, James A Meet Outside The Swan inn signed oil on board 8 by 12 in .20.3 by 30.5 cm (mk59)
Painting ID:: 28010
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Pollard, James The Royal Mail Coaches for the North Ieaving the Angel Islington 1827
Oil on canvas 103.2 x 146.4cm (40 3/4 x 57 3/4 in) Tate Gallery London (mk63)
Painting ID:: 28009
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Pollard, James A Street Scene with Two Omnibuses 1845
Oil on board 24.7 x 32 cm (9 3/4 x 12 5/8 in)
Museum of London (mk63)
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Pollard, James
English, 1792-1867
Painter and etcher, son of Robert Pollard. His early career was spent in the shadow of his father, for whom he worked as an etcher of miscellaneous sporting subjects before establishing himself c. 1820 as a sporting painter in his own right. A typical example is Doncaster Races: Horses Starting for the St Leger (1831; Paul Mellon priv. col.). Following a commission from the King's Printseller, Edward Orme, for an inn signboard showing a coach and horses, Pollard began to specialize in coaching scenes.
