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Pontormo Gregory portrait mk276 1543 Oil on canvas 102 x 97cm Washington National Art Gallery
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Pontormo 11,000 victims mk276 1529 Oil on canvas 65 x 73 cm Florence, National Museum of Art, DE
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Pontormo Do not touch me mk276 1530 Oil on canvas 172 x 134 cm Museum of Florence Bonar Luciano
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Pontormo Access map mk276 1530 Oil on canvas 202 x 156cm Camille carvedilol that the church of Saint Michel
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Pontormo Cosimo de Medici mk276 1530 Oil on canvas 92 x 72cm Paul Getty Museum in Los Angeles
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Pontormo Asian strength mountain Germany Rhode Mei Diqi mk276 1534 Oil on canvas 97 x 79cm personal collection
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Pontormo Jacob s grief mk276 1545 Fuluolun Sawu Fiji art museum
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Pontormo Joseph mk276 1545 Fuluolun Sawu Fiji art museum
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Pontormo Eve were driven out of mk276 1555 Fuluolun Sawu Fiji art museum
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Pontormo Fratricidal Fuluolun Sawu Fiji art museum
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Pontormo Flood mk276 1554 Fuluolun Sawu Fiji art museum
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Pontormo Resurrection of the deceased mk276 1554 Fuluolun Sawu Fiji art museum
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Pontormo Christ and God the solemn mk276 1550 Fuluolun Sawu Fiji art museum
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Pontormo St. John family with small mk276 1525 Oil on canvas 120 x 98cm Hermitage Museum in St. Petersburg
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Pontormo Joseph sold to poor Botticelli mk276 1518 Oil on canvas 58 x 50 cm private possession
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Pontormo Card Lei Ji and Kasi Taylor mk276 1535 frescos years 26.9 x 29.5cm Florence Art Gallery
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Pontormo Card Lei Ji and Kasi Taylor mk276 1535 frescos years 26.9 x 29.5cm Florence Art Gallery
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Pontormo Jupiter and Apollo mk276 1513 Oil Painting 61 x 47.3cm years Wolfsburg Booker Levi Cornell University
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Pontormo Apollo and Daphne mk276 1513 Oil Painting 60 x 47.3cm years Wolfsburg Booker Levi Cornell University
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Pontormo Card Lei Ji and Kasi Taylor mk276 1543 mural years Museum of Art in Florence, 19.9 x 31.8cm
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Pontormo
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Italian Mannerist Painter, 1494-ca.1556
Italian painter and draughtsman. He was the leading painter in mid-16th-century Florence and one of the most original and extraordinary of Mannerist artists. His eccentric personality, solitary and slow working habits and capricious attitude towards his patrons are described by Vasari; his own diary, which covers the years 1554-6, further reveals a character with neurotic and secretive aspects. Pontormo enjoyed the protection of the Medici family throughout his career but, unlike Agnolo Bronzino and Giorgio Vasari, did not become court painter. His subjective portrait style did not lend itself to the state portrait. He produced few mythological works and after 1540 devoted himself almost exclusively to religious subjects. His drawings, mainly figure studies in red and black chalk, are among the highest expressions of the great Florentine tradition of draughtsmanship; close to 400 survive, forming arguably the most important body of drawings by a Mannerist painter.
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