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Pontormo, Jacopo Madonna and Child with St. Joseph and Saint John the Baptist 1521-22
Oil on canvas transferred from wood
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Pontormo, Jacopo Madonna and Child with Two Saints 1522
Oil on wood, 72 x 60 cm
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Pontormo, Jacopo Christ before Pilate 1523-25
Fresco, 300 x 290 cm
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Pontormo, Jacopo Madonna and Child with St Anne and Other Saints c. 1529
Oil on wood, 228 x 176 cm
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Pontormo, Jacopo Halberdier 1530s
Oil on canvas, 92 x 72 cm
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Pontormo, Jacopo Martyrdom of St Maurice and the Theban Legion c. 1531
Oil on wood, 65 x 73 cm
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Pontormo, Jacopo St Luke c. 1525
Oil on wood
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Pontormo, Jacopo Visitation mk83
c.1528-1529
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Pontormo, Jacopo Deposition mk83
c.1525
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Pontormo, Jacopo Deposition mk156
1525-28
Oil on panel
313x192cm
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Pontormo, Jacopo The Visitacion mk166
in the middle of the century XVI Painting Church of San Miguel Carmignano
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Pontormo, Jacopo Kicking Player Drawing Galleria degli Uffizi
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Pontormo, Jacopo Two Nudes Compared Two Nudes Compared
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Pontormo, Jacopo Hermaphrodite Figure 1538-43
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Pontormo, Jacopo Group of the Dead 1546-56
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Pontormo, Jacopo Christ the Judge with the Creation of Eve 1546-56
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Pontormo, Jacopo Adam and Eve at Work 1546-56
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Pontormo, Jacopo Moses Receiving the Tables 1546-56
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Pontormo, Jacopo Vertumnus and Pomona 461 x 990 cm
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Pontormo, Jacopo Portrait of a Lady in Red 1532
Oil on wood,
89,7 x 70,5 cm
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Pontormo, Jacopo
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b Pontormo, nr Empoli, 26 May 1494; d Florence, 31 Dec 1556).
Italian painter and draughtsman. He was the leading painter in mid-16th-century Florence and one of the most original and extraordinary of Mannerist artists. His eccentric personality, solitary and slow working habits and capricious attitude towards his patrons are described by Vasari; his own diary, which covers the years 1554-6, further reveals a character with neurotic and secretive aspects. Pontormo enjoyed the protection of the Medici family throughout his career but, unlike Agnolo Bronzino and Giorgio Vasari, did not become court painter. His subjective portrait style did not lend itself to the state portrait. He produced few mythological works and after 1540 devoted himself almost exclusively to religious subjects. His drawings, mainly figure studies in red and black chalk, are among the highest expressions of the great Florentine tradition of draughtsmanship; close to 400 survive, forming arguably the most important body of drawings by a Mannerist painter. His highly personal style was much influenced by Michelangelo
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