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Pontormo
Portrait of a Musician
mk67
Oil on panel
34 5/8x26 3/8in
Uffizi,Gallery
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Pontormo
St.Anthony Abbot
mk67
Oil on canvas
30 11/16x26in
Uffizi,Gallery
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Pontormo
The Fall of Adam and Eve
mk67
Oil on panel
16 15/16x12 3/16in
Uffizi,Gallery
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Pontormo
Madonna and Child with the Young St.John
mk67
Oil on panel
35x29 1/8in
Uffizi,Gallery
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Pontormo
The Supper at Emmaus
mk67
Oil on canvas
90 9/16x68 1/8in
Uffizi,Gallery
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Pontormo
Martydom of St.Maurice and the Theban Legions
mk67
Oil on panel
25 9/16x28 3/4in
Pitti,Palatine Gallery
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Pontormo
Portrait of Maria Salviati
mk67
Oil on panel
34 1/4x27 15/16in
Uffizi,Gallery
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Pontormo
The Adoration of the Magi
mk67
Oil on panel
33 7/16x74 13/16in
Pitti,Palatine Gallery
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Pontormo
The Birth of the Baptist
mk67
Oil on panel
21 1/4in
Uffizi,Gallery
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Pontormo
Portrait of Cosimo il Vecchio
mk67
Oil on panel
34 1/4x25 9/16in
Uffizi,Gallery
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Pontormo
Madonna and Child with SS.Jerome and Francis and Two Angels
mk67
Oil on panel
28 3/4x24in
Uffizi,Gallery
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Pontormo
Portrait of a young Man
mk83
c.1522
Oil on wood
85x61cm
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Pontormo
Vertumnus and Pomona
mk83
1519-1521
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Pontormo
Joseph in Egypt
mk86
c.1515
Oil on wood
96.5x109.5cm
London,National Gallery
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Pontormo
Deposition
mk86
c.1526-1528
Oil on wood
313x192cm
Florence,Santa Felicita,Cappella Bardori
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Pontormo
Joseph Sold to Potiphar
mk170
circa 1515-1516
Oil on wood
61x51.3cm
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Pontormo
Joseph-s Brothers Beg for Help
mk170
circa 1515-1516
OIl onwood
36.2x142.4cm
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Pontormo
Pharaoh Pardons the Butler and Ordes the Execution of the Baker
mk170
circa 1516-1517
Oil on wood
61x51.9cm
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Pontormo
Joseph with Jacob in Egypt
mk170
1517-1518
Oil on wood
96.5x109.5cm
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Pontormo
Detail of Joseph with Jacob in Egypt
mk170
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| Pontormo
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Italian Mannerist Painter, 1494-ca.1556
Italian painter and draughtsman. He was the leading painter in mid-16th-century Florence and one of the most original and extraordinary of Mannerist artists. His eccentric personality, solitary and slow working habits and capricious attitude towards his patrons are described by Vasari; his own diary, which covers the years 1554-6, further reveals a character with neurotic and secretive aspects. Pontormo enjoyed the protection of the Medici family throughout his career but, unlike Agnolo Bronzino and Giorgio Vasari, did not become court painter. His subjective portrait style did not lend itself to the state portrait. He produced few mythological works and after 1540 devoted himself almost exclusively to religious subjects. His drawings, mainly figure studies in red and black chalk, are among the highest expressions of the great Florentine tradition of draughtsmanship; close to 400 survive, forming arguably the most important body of drawings by a Mannerist painter.
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