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Raja Ravi Varma
Goddess Lakshmi
mk153
Oil on canvas
73x52cm
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Raja Ravi Varma
The Lady in the picture is Mahaprabha Thampuratti of Mavelikara,
The Lady in the picture is Mahaprabha Thampuratti of Mavelikara, the artist's daughter and mother of HH Sethu Lakshmi Bayi
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Raja Ravi Varma
Shakuntala writes to Dushyanta.
Shakuntala writes to Dushyanta.
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Raja Ravi Varma
Asthasiddi
Asthasiddi
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Raja Ravi Varma
Lakshmi
Lakshmi
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Raja Ravi Varma
Murugan
Murugan
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Raja Ravi Varma
Saraswati
Saraswati
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Raja Ravi Varma
Bhishma Pledge
Bhishma Pledge
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Raja Ravi Varma
Yashoda decorating Krishna
Yashoda decorating Krishna
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Raja Ravi Varma
Gangavataranam
Gangavataranam
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Raja Ravi Varma
Ravi Varma Shakuntala, a character in the epic Mahabharata
Ravi Varma's Shakuntala, a character in the epic Mahabharata
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Raja Ravi Varma
Shakuntala despondent
Shakuntala despondent
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Raja Ravi Varma
Harischandra and Tharamathi
Harishchandra in cremation ground where Tharamathi comes with their dead son.
Oil on canvas
cjr
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Raja Ravi Varma
Dissapointing News
A lady looking sad after reading dissapointing news in letter.
cjr
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Raja Ravi Varma
The suckling child
Mother feeding her child
cjr
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Raja Ravi Varma
Sri Krishna as Envoy
Sri Krishna, in his role as an Envoy of Pandavas to the Kaurava Court.
cjr
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Raja Ravi Varma
Dissapointing News
Title English: Dissapointing News
മലയാളം: നിരാശാജനകമായ വാർത്ത
Description English: A lady looking sad after reading dissapointing news in letter.
cyf
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Raja Ravi Varma
Sri Krishna as Envoy
English: Sri Krishna, in his role as an Envoy of Pandavas to the Kaurava Court.
മലയാളം: കൃഷ്ണൻ പാണ്ഡവരുടെ ദൂതനായി കൗരവ സഭയിൽ.
Date Unknown date
cyf
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Raja Ravi Varma
Krishnaraja Wadiyar IV and Rana Prathap Kumari of Kathiawar
Date 1904(1904)
Medium oil on canvas
TTD
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Raja Ravi Varma
Galaxy of Musicians
Date Unknown date
Medium oil on canvas
TTD
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| Raja Ravi Varma
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1848-1906, Indian painter. He was the most important and one of the earliest Indian artists of the 19th century to work in oil paints. The subjects of his paintings were often mythological, but they were produced in a European historicist style. He absorbed the influence of such French 19th-century academic painters as William-Adolphe Bouguereau and Gustave Boulanger and of Indian contemporary popular theatre, specializing in the type of mythological paintings that found favour with Indian rajas and British administrators. His successful exploitation (from 1894) of the lithographic reproduction of his paintings ensured, for the first time in India, that the work of an individual artist could reach a mass market.
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