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Oil Paintings
Come From United Kingdom
An option that you can own an 100% hand-painted oil painting from our talent artists. |
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Raphael Italian High Renaissance Painter, 1483-1520
Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period.
Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models.
His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. |
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Raphael the sacrifice at lystra her majesty the queen, on loan to the victoria and albert museum .
gouac on paper, 342x536cm
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Raphael raphael in rome- in the service of the pope se
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Raphael raphael in rome- in the service of the pope
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Raphael joseph recounting his dream to his brothers logge, vatican palace
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Raphael the creation of the animals logge vatican palace
fresco
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Raphael the madonna di foligno vatican gallery, rome
oil on wood 301x198cm
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Raphael the sistine madonna the gemaldegalerei, dresden
oil on canvas, 265x196cm
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Raphael the madonna del pesce museo del prado, madrid
oil on wood transferred to panel
215x158cm
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Raphael the madonna dell' impannata palazzi pitti, florence
oil on wood , 158x125cm
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Raphael st. cecilia with ss. paul, john the evangelist, augustine and mary magdalen pinacoteca nazionale, bologna
oil on wood transfered to canvas,
238x150cm
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Raphael madonna della tenda alte pinakotek, munich
oil on wood, diameter 71cm
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Raphael alba madonna national gallery of art, washington
oil on wood transferred to canvas, diameter95cm
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Raphael donna velata palazzo pitti, florence
oil on canvas, 85x64cm
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Raphael portrait of baldassare castiglione muse'e du louvre, paris
oil on wood transferred to canvas,82x66cm
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Raphael fedra inghirami isabella stewart gardner museum, boston
oil on wood 89x62
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Raphael portrait of julius11 national gallery, london
oil on wood, 108x80cm
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Raphael pope leo x with cardinals giulio de' medici and luigi de' rossi gallerie degli uffizi, florence
oil on wood , 154x119cm
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Raphael portrait of bindo altoviti national gallery , washington
oil on wood, 60x44cm
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Raphael interior of the villa farnesina se
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Raphael galatea farnesina, rome
fresco
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Raphael
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Italian High Renaissance Painter, 1483-1520
Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period.
Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models.
His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.
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