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Raphael
Italian High Renaissance Painter, 1483-1520 Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.

 

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Raphael Michael oil painting

Painting ID::  94693

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Raphael
Michael
c. 1504-1505 Type Oil on wood Dimensions 30 cm x 26 cm (12 in x 10 in) cyf
   
   
     

 

 

Raphael Madonna del Prato oil painting

Painting ID::  94695

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Raphael
Madonna del Prato
1505 Type oil on board Dimensions 113 cm x 88 cm (44 in x 35 in) cyf
   
   
     

 

 

Raphael Saint George and the Dragon oil painting

Painting ID::  94696

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Raphael
Saint George and the Dragon
1504-1506 Type Oil on wood Dimensions 28.5 cm x 21.5 cm (11.2 in x 8.5 in) cyf
   
   
     

 

 

Raphael Young Woman with Unicorn oil painting

Painting ID::  94697

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Raphael
Young Woman with Unicorn
1506 Type Oil on panel Dimensions 65 cm x 61 cm (26 in x 24 in) cyf
   
   
     

 

 

Raphael Ansidei Madonna oil painting

Painting ID::  94698

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Raphael
Ansidei Madonna
1505-1507 Type Oil on wood (poplar) Dimensions 216.8 cm x 147.6 cm (85.4 in x 58.1 in) cyf
   
   
     

 

 

Raphael La belle jardiniere oil painting

Painting ID::  94701

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Raphael
La belle jardiniere
1507 Type Oil on panel Dimensions 122 cm x 80 cm (48 in x 31½ in) cyf
   
   
     

 

 

Raphael The Deposition oil painting

Painting ID::  94702

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Raphael
The Deposition
1507 Type Oil on wood Dimensions 184 cm x 176 cm (72 in x 69 in) cyf
   
   
     

 

 

Raphael Esterhazy Madonna oil painting

Painting ID::  94703

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Raphael
Esterhazy Madonna
1508 Type oil on canvas Dimensions 29 cm x 21.5 cm (11 in x 8.5 in) cyf
   
   
     

 

 

Raphael Niccolini oil painting

Painting ID::  94705

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Raphael
Niccolini
1508 Type Oil on panel Dimensions 80.7 cm x 57.5 cm (31.8 in x 22.6 in) cyf
   
   
     

 

 

Raphael Cardinal and Theological Virtues oil painting

Painting ID::  94713

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Raphael
Cardinal and Theological Virtues
1511 Type fresco Dimensions ? cm x 660 cm (x x 260 in) cyf
   
   
     

 

 

Raphael Parnassus oil painting

Painting ID::  94715

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Raphael
Parnassus
1511 Type Fresco Dimensions ? cm x 670 cm (x x 260 in) cyf
   
   
     

 

 

Raphael Portrait of Cardinal Alessandro Farnese oil painting

Painting ID::  94716

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Raphael
Portrait of Cardinal Alessandro Farnese
1509-1511 Type Oil on wood Dimensions 139 cm x 91 cm (55 in x 36 in) cyf
   
   
     

 

 

Raphael Madonna of the Candelabra oil painting

Painting ID::  94717

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Raphael
Madonna of the Candelabra
c. 1513 Type Oil on panel Dimensions 65.7 cm x 64 cm (25.9 in x 25 in) cyf
   
   
     

 

 

Raphael The Meeting of Leo the Great and Attila oil painting

Painting ID::  94721

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Raphael
The Meeting of Leo the Great and Attila
1514 Type Fresco Dimensions 500 cm x 750 cm (200 in x 300 in) cyf
   
   
     

 

 

Raphael La velata oil painting

Painting ID::  94725

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Raphael
La velata
1514-1515 Type Oil on canvas Dimensions 82 cm x 60.5 cm (32 in x 23.8 in) cyf
   
   
     

 

 

Raphael Ecstasy of St Cecilia oil painting

Painting ID::  94727

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Raphael
Ecstasy of St Cecilia
1516-1517 Type Oil transferred from panel to canvas Dimensions 220 cm x 136 cm (87 in x 54 in) cyf
   
   
     

 

 

Raphael Portrait of Andrea Navagero and Agostino Beazzano oil painting

Painting ID::  94730

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Raphael
Portrait of Andrea Navagero and Agostino Beazzano
1516 Type Oil on canvas Dimensions 76 cm x 107 cm (30 in x 42 in) cyf
   
   
     

 

 

Raphael Christ Falling on the Way to Calvary oil painting

Painting ID::  94732

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Raphael
Christ Falling on the Way to Calvary
1514-1516 Type Oil on panel transferred to canvas Dimensions 318 cm x 229 cm (125 in x 90 in)
   
   
     

 

 

Raphael Oath of Leo III oil painting

Painting ID::  94733

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Raphael
Oath of Leo III
1516-1517 Type Fresco Dimensions ? cm x 770 cm cyf
   
   
     

 

 

Raphael Ezekiels Vision oil painting

Painting ID::  94736

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Raphael
Ezekiels Vision
1518 Type Oil on panel cyf
   
   
     

 

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Raphael
Italian High Renaissance Painter, 1483-1520 Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.