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Raphael
School of Athens
mk68
1510-1512
High Renaissance
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Raphael
Triumph of Galatea
mk68
Fresco
9'8"x7'5"
High Renaissance
1513
Italy
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Raphael
The Sistine Madonna
mk68
Oil on wood
8'8"6'7"
Dresden
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Raphael
Madonna of the Chair
mk68
Oil on wood
diameter 28"
Florence,Pitti Palace,
Palatine Gallery
1514
Italy
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Raphael
Portrait of Count Baldassare Castiglione
mk68
Oil on wood
transferred to canvas
30 1/4x26 1/2"
Paris,Louvre
c.1514
Italy
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Raphael
Portrait of Count Baldassare Castiglione
mk68
c.1514
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Raphael
Christ on the Road to Calvary
mk84
ca.1517
Madrid,Prado,canvas
318x229cm
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Raphael
Madonna of the Goldfinch
mk83
c.1507
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Raphael
Self-Portrait
mk83
oil on canvas
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Raphael
Pope Leo X with Cardinals Giulio de'Medici and Luigi de'Rossi
mk86
1518/19
Oil on wood
154x119cm
Florence,Galleria degli Uffizi
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Raphael
Madonna of the Meadows
mk86
1505/06
Oil tempera on wood
113x88cm
Vienna,Kunsthitorisches Museum
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Raphael
Marriage of the Virgin
mk86
1504
Oil tempera on wood
170x117cm
Milan,Piacoteca di Brera
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Raphael
Madonna di Foligno
mk86
c.1512
Oil on wood,transferred to canvas
301x198cm
Rome,
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Raphael
The Transfiguration
mk86
c.1517-1520
Oil on canvas
405x278cm
Rome,Musei Vaticani,
Pinacoteca Vaticana
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Raphael
The School of Athens
mk861511/12
Fresco,width c.800cm
Rome,Musei Vaticani
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Raphael
Portrait of Baldassare Castiglione
mk93
1639
Pen and Brown ink,brush and brown wash,white body colour
6 3/8x8 1/8in
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Raphael
THe School of Athens
mk149
1510
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Raphael
The Madonna in the Meadow
mk150
dated 1505 r 1506
Poplar
113x88.5cm
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Raphael
The Virgin and Child with the infant Saint John the Baptist
mk156
122X80cm
Musee du Louvre
Paris
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Raphael
The Madonna of the Goldfinch
mk156
1506
Oil on panel
107x77.2cm
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| Raphael
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Italian High Renaissance Painter, 1483-1520
Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period.
Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models.
His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.
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