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Oil Paintings
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Raphael Italian High Renaissance Painter, 1483-1520
Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period.
Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models.
His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. |
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Raphael virgin and child with st. john the baptist
the madonna of the meadow
oil on panel, 113x88
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Raphael virgin and child wild st. john the baptist
louvre, paris
oil on panel,122x80cm
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Raphael the palm tree national gallery of scotland, edinburgh, on loan from the duke of sutherland
wood transferred to canvas, diameter 140cm
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Raphael far right madonna del baldacchino pitti palace, florence
oil on panel, 277x224cm
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Raphael far leet :entombment borghese gallery, rome
oil on wood,184x176cm
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Raphael bridgewater madonna national gallyer of Scotland, edinburgh, on loan from the duke of sutherland
oil on wodd, transferred tocanvas, 81x56cm
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Raphael st catherine national gallery, london.
oil on wood, 71x56cm.
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Raphael stanza della segnatura vatican palace
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Raphael the ceiling of the stanza della segnatura, vatican palace se
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Raphael poetry se
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Raphael philosophy se
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Raphael theology se
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Raphael justice se
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Raphael fresco, stanza della segnatura se
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Raphael plato and aristotle detail of the school of athens se
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Raphael school of athens fresco stanza della segnatura
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Raphael apollo and a seated muse detail of the parnassus in the stanza della segnatura
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Raphael parnassus fresco, stanza della segnatura
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Raphael justice wall fresco, stanza della segnatura
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Raphael fortitude, and temperance, justice wall
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Raphael
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Italian High Renaissance Painter, 1483-1520
Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period.
Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models.
His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.
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