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Roger Van Der Weyden Saint Luke Drawing the Virgin and Child mk52
c.1435
Oil on wood
137.5x110.8cm
Museum of Fine Arts,Boston
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Roger Van Der Weyden Deposition mk68
Oil on oak
Madird
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Roger Van Der Weyden The Annunciation mk78
c.1435
Oil on panel
86x92cm
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Roger Van Der Weyden Crucifixion in a Church mk86
c.1445
Tempera on wood
200x97cm
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Roger Van Der Weyden Madonna with Four Saints mk86
c.1450
Tempera on wood
53x38cm
Frankfurt am Main,Stadelsches Kunstinstitut
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Roger Van Der Weyden Adoration of the Magi mk86
c.1455
Tempera on wood
138x153cm
Munich,Bayerische Staatsgemaldesammlungen,
Alte Pinakothek
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Roger Van Der Weyden Mary Magdalene mk86
c.1453
Oil on wood
41x34cm
Paris,Musee National du Louvre
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Roger Van Der Weyden Entombment mk86
c.1450
Oil on panel
110x96cm
Florence,Galleria degli Uffizi
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Roger Van Der Weyden The Beweinung mk148
Nikodemus and Josef of Arimatäa support the corpse
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Roger Van Der Weyden St Columba Altarpiece 1455(1455)
Medium Oil on oak panel
cyf
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Roger Van Der Weyden St Luke Drawing the Portrait of the Madonna 1450(1450)
Medium Oil on oak panel
cyf
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Roger Van Der Weyden Pieta 1448(1448)
Medium Oil on panel
Dimensions 96 x 126.5 cm (37.8 x 49.8 in)
cyf
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Roger Van Der Weyden Crucifixion Oil on oak panel, 77 x 47 cm Staatliche Museen, Berlin
Date 1440s
cyf
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Roger Van Der Weyden
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c.1399-1464
Rogier van der Weyden was the son of Henri de le Pasture, a cutler in Tournai, and Agn?s de Watreloz. His birthdate is estimated from the facts that he was stated to be 35 in April 1435 and 43 in September 1441. Before or in 1427 he married Elisabeth Goffaert (c. 1405-77), whose father was a prosperous shoemaker in Brussels. Rogier may have lived for a time in Brussels: his eldest child Cornelis (b 1427) was sometimes referred to as 'de Bruxella' but was not necessarily a native of Brussels. On 5 March 1427 'Rogelet de le Pasture, natif de Tournai' was apprenticed to the Tournai painter Robert Campin. This Rogelet duly completed his apprenticeship in 1431 and on 1 August 1432 became a master of the Tournai guild. Despite much debate, it would appear that Rogelet was Rogier van der Weyden, though it has also been argued that in 1427 Rogier was a married man well past the normal age of apprenticeship and that Rogelet must have been a second Tournai painter of the same name. JACQUES DARET, however, was in his twenties when in 1428 he was apprenticed to Campin, and other instances can be cited of married apprentices. The political situation at Tournai in 1427-8 was unusual, and the guild system was not functioning normally.
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