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Thomas Girtin English Romantic Painter, 1775-1802
English painter, draughtsman and printmaker. With his rival, J. M. W. Turner, he extended the technical possibilities of watercolour and in doing so demonstrated that watercolours could have the visual impact and emotional range of oils. Although close in style throughout the 1790s, by 1800 Turner and Girtin were beginning to diverge: whereas the former dissolved forms to express his idea of Nature in a state of flux, the latter sought out a landscape's underlying patterns to convey his awe of Nature's permanence as well as its grandeur. Girtin's reduction of landscape to simple and monumental forms
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Painting ID:: 26066
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Thomas Girtin Kirkstall Abbey,Yorkshire-Evening (mk47) c.1800
Watercolour
317x520mm
Victoria & Albert Museum,London
Painting ID:: 31322
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Thomas Girtin The White House at Chelsea nn07
Painting ID:: 32783
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Thomas Girtin Bamburgh Castle, mk81
Northumberland
c.1797-9
Painting ID:: 56164
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Thomas Girtin berry pomeroy castle,devon mk247
1798,watercolor on paper,10.875x15.375 in,27.5x39 cm,sotheby s,london,uk
Painting ID:: 56592
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Thomas Girtin the tihe barn abbotsbuy mk248 girtin farglade ofta de skissrt som ban gjorde ute i det fria,mran ban brukade begransa sig till tua eller tre farger manga blev forlaga till fullbordade akvaller men banromd att samlare aven ville kopa bans skissern vittnar om.
Painting ID:: 56593
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Thomas Girtin durham cathedral and bridge mk248 vyer fran storbritannirn var mycket efterfragade nar kriget med frankrike bindrade folk fran att resa i ovriga europa. det ansags ocksa patriotiskt av de rika att bestalla bilder av brttiska nationalmonument. girtin kunde manipulera ljusforingen for att uppna den stamning som efterfragades, fran dramatiskt till fridfullt. han revolutionerade akvarelltekniken genom att slop grundfargen ocb mala med akvarellfargerna direkt pa papperet. sarskilt akvarellpapper var sallsynt ocb konstnarer malade pa allt slags papper.karduspapper. till exempel, uppskattades for den grova strukturen det anvandes egentligen som boljen till krutladdninger.
Painting ID:: 68806
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Thomas Girtin near beddgelert north wales, 1798 watercolour 29x43.2cm
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Painting ID:: 85437
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Thomas Girtin The collector of tithes oil on Canvas(1663-1720)
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Painting ID:: 94483
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Thomas Girtin Portrait of Thomas Girtin 18/19th century
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Painting ID:: 94485
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Thomas Girtin Jedburgh Abbey from the River 1798-1799
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Painting ID:: 94487
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Thomas Girtin Das Weibe Haus in Chelsea 1800
Dimensions 29,8 x 51,4 cm
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Painting ID:: 94488
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Thomas Girtin Interior of Lindisfarne Priory 1797(1797)
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Painting ID:: 94489
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Thomas Girtin Lindisfarne 1798(1798)
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Painting ID:: 94491
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Thomas Girtin Bamburgh Castle, Northumberland 1797-1799
Dimensions 55 x 45 cm (21.7 x 17.7 in)
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Painting ID:: 94492
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Thomas Girtin Die Kathedrale von Durham und die Brucke, vom Flub Wear aus gesehen 1799(1799)
Dimensions 41,5 x 53,6 cm
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Painting ID:: 94493
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Thomas Girtin Guisborough Priory, Yorkshire 1801(1801)
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Painting ID:: 94494
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Thomas Girtin Kirkstall Abbey, Yorkshire 1801(1801)
Dimensions 30,5 x 52 cm
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Painting ID:: 94495
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Thomas Girtin In the Scotch Borders cjr
Painting ID:: 94496
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Thomas Girtin Near Bolton Abbey 33 x 52 cm
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Painting ID:: 94497
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Thomas Girtin Rue Saint-Denis in Paris 1802(1802)
Dimensions Deutsch: 39 x 49 cm
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Thomas Girtin
English Romantic Painter, 1775-1802
English painter, draughtsman and printmaker. With his rival, J. M. W. Turner, he extended the technical possibilities of watercolour and in doing so demonstrated that watercolours could have the visual impact and emotional range of oils. Although close in style throughout the 1790s, by 1800 Turner and Girtin were beginning to diverge: whereas the former dissolved forms to express his idea of Nature in a state of flux, the latter sought out a landscape's underlying patterns to convey his awe of Nature's permanence as well as its grandeur. Girtin's reduction of landscape to simple and monumental forms
