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Titian
Conjugal allegory Louvre
ca. 1530(1530)
Medium Oil on canvas
Dimensions 123 ?? 107 cm (48.4 ?? 42.1 in)
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Titian
Mater Dolorosa
Date c. 1555
Medium Oil on wood
Dimensions 68 x 61 cm
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Titian
Maria Magdalena
Deutsch: um 1565
English: c. 1565
Medium Oil on canvas
Dimensions Deutsch: 119 ?? 98 cm
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Titian
Christ Carrying the Cross
oil on canvas painting by Titian, 67 x 77 cm, c. 1565. Museo Nacional del Prado
Date c. 1565
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Titian
Salome con la testa del Battista
c. 1515
Oil on canvas
90 ?? 72 cm
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Titian
Portrat Philipp II
1551(1551)
Oil on canvas
193 x 111 cm (76 x 43.7 in)
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Titian
Portrat des Vicenzo Mosti
c. 1520
85 x 66 cm
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Titian
Self portrait.
ca. 1550-1562
Medium Oil on canvas
Dimensions 96 x 75 cm (37.8 x 29.5 in)
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Titian
La Bella
c. 1536
Oil on canvas
100 x 75 cm
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Titian
Violante
1515-1518 (Web Gallery of Art states c. 1514)
Medium Oil on canvas
Dimensions 65 x 51 cm
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Titian
Retrato de un principe Barberini
1600(1600)
Medium Oil
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Titian
Retrato de un principe Barberini
1600(1600)
Medium Oil
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Titian
Pietro Aretino, first portrait by Titian
Pietro Aretino, first portrait by Titian, c 1512, at the Galleria Palatina in Palazzo Pitti in Florence.
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Titian
Violante
1515-1518 (Web Gallery of Art states c. 1514)
Medium Oil on canvas
Dimensions 65 x 51 cm
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Titian
Duke of Ferrara
1600s
Medium Oil on canvas
Dimensions Height: 127 cm (50 in). Width: 98 cm (38.6 in).
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Titian
Portrait of the Doge Francesco Venier
between 1554(1554) and 1556(1556)
Medium Oil on canvas
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Titian
Profane Love - Vanity
Profane Love - Vanity (1514-15, Oil on canvas)
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Titian
Charles V at Muhlberg
1548
Medium Oil on canvas
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Titian
Portrat des Vicenzo Mosti
ca. 1526(1526)
Medium Deutsch: Öl auf Holz, auf Leinwand xbertragen
Dimensions Height: 85 cm (33.5 in). Width: 66 cm (26 in).
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Titian
Portrait of the Doge Francesco Venier
between 1554(1554) and 1556(1556)
Medium Oil on canvas
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| Titian
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Italian High Renaissance Painter, ca.1485-1576
Italian painter active in Venice. As a young man he was taught by the Bellini family and worked closely with Giorgione. His early works are so similar in style to Giorgione's as to be indistinguishable, but soon after Giorgione's early death Titian established himself as the leading painter of the Republic of Venice. Among his most important religious paintings is the revolutionary and monumental Assumption (1516 ?C 18) for Santa Maria dei Frari, in which the Virgin ascends to heaven in a blaze of colour accompanied by a semicircle of angels. Titian was also interested in mythological themes, and his many depictions of Venus display his work's sheer beauty and inherent eroticism. Bacchus and Ariadne (1520 ?C 23), with its pagan abandon, is one of the greatest works of Renaissance art. Titian was sought after for his psychologically penetrating portraits, which include portrayals of leading Italian aristocrats, religious figures, and Emperor Charles V. He reached the height of his powers in The Rape of Europa (c. 1559 ?C 62), one of several paintings done for Philip II of Spain. He was recognized as supremely gifted in his lifetime, and his reputation has never declined.
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