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Titian Italian High Renaissance Painter, ca.1485-1576
Italian painter active in Venice. As a young man he was taught by the Bellini family and worked closely with Giorgione. His early works are so similar in style to Giorgione's as to be indistinguishable, but soon after Giorgione's early death Titian established himself as the leading painter of the Republic of Venice. Among his most important religious paintings is the revolutionary and monumental Assumption (1516 ?C 18) for Santa Maria dei Frari, in which the Virgin ascends to heaven in a blaze of colour accompanied by a semicircle of angels. Titian was also interested in mythological themes, and his many depictions of Venus display his work's sheer beauty and inherent eroticism. Bacchus and Ariadne (1520 ?C 23), with its pagan abandon, is one of the greatest works of Renaissance art. Titian was sought after for his psychologically penetrating portraits, which include portrayals of leading Italian aristocrats, religious figures, and Emperor Charles V. He reached the height of his powers in The Rape of Europa (c. 1559 ?C 62), one of several paintings done for Philip II of Spain. He was recognized as supremely gifted in his lifetime, and his reputation has never declined.
Titian Venus and Music 1547
Type oil on canvas
Dimensions 148 cm x 217 cm (58 in x 85 in)
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Painting ID:: 94771
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Titian Portrait of Isabella of Portugal 1548
Type oil on canvas
Dimensions 117 cm x 98 cm (46 in x 39 in)
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Painting ID:: 94772
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Titian Punishment of Tythus 1549
Type oil on canvas
Dimensions 253 cm x 217 cm (100 in x 85 in)
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Painting ID:: 94773
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Titian Philip II in Armour 1551
Type oil on canvas
Dimensions 193 cm x 111 cm (76 in x 44 in)
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Painting ID:: 94774
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Titian Portrait of Queen Christina of Denmark c.1556
Type Oil on canvas
Dimensions 110 cm x 83 cm (43 in x 33 in)
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Painting ID:: 94775
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Titian Martyrdom of Saint Lawrence 1558
Type oil on canvas
Dimensions 493 cm x 277 cm (194 in x 109 in)
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Painting ID:: 94777
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Titian St Margaret and the Dragon circa 1559(1559)
Medium painting
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Painting ID:: 94781
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Titian Penitent Magdalene 1565
Type oil on canvas
Dimensions 119 cm x 98 cm (47 in x 39 in)
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Painting ID:: 95753
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Titian The Virgin and Child with the Infant Saint John and a Female Saint or Donor oil on canvas
Dimensions Height: 100.6 cm (39.6 in). Width: 142.2 cm (56 in).
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Painting ID:: 95754
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Titian Madonna in Glory with the Christ Child and Sts Francis and Alvise with the Donor 1520(1520)
Medium oil on canvas
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Painting ID:: 96706
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Titian Saint Margaret 1556, Xleo sobre lienzo, 209 x 183 cm,
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Painting ID:: 97367
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Titian Portrait of Titians daughter Lavinia circa 1545(1545)
Medium oil on canvas
Dimensions 84.5 X 73 cm
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Painting ID:: 97415
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Titian Portrait of a Man circa 1515(1515)
Medium oil on canvas
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Painting ID:: 97675
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Titian Portrait of a Lady circa 1555(1555)
Medium oil on canvas
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Painting ID:: 98029
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Titian Der Doge Niccolo Marcello aus der Sicht Tizians circa 1542(1542)
Medium oil on canvas
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Painting ID:: 98203
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Titian The Burial of Christ oil on canvas
Dimensions Deutsch: 130 x 168 cm
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Painting ID:: 98292
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Titian Assumption of the Virgin between 1516(1516) and 1518(1518)
Medium oil on panel
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Painting ID:: 98309
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Titian Agony in the garden oil on canvas, 76 x 136 cm, Prado Museum
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Italian High Renaissance Painter, ca.1485-1576
Italian painter active in Venice. As a young man he was taught by the Bellini family and worked closely with Giorgione. His early works are so similar in style to Giorgione's as to be indistinguishable, but soon after Giorgione's early death Titian established himself as the leading painter of the Republic of Venice. Among his most important religious paintings is the revolutionary and monumental Assumption (1516 ?C 18) for Santa Maria dei Frari, in which the Virgin ascends to heaven in a blaze of colour accompanied by a semicircle of angels. Titian was also interested in mythological themes, and his many depictions of Venus display his work's sheer beauty and inherent eroticism. Bacchus and Ariadne (1520 ?C 23), with its pagan abandon, is one of the greatest works of Renaissance art. Titian was sought after for his psychologically penetrating portraits, which include portrayals of leading Italian aristocrats, religious figures, and Emperor Charles V. He reached the height of his powers in The Rape of Europa (c. 1559 ?C 62), one of several paintings done for Philip II of Spain. He was recognized as supremely gifted in his lifetime, and his reputation has never declined.
