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Titian
Man (mk45)
c.1512
Oil on canvs
81.2x66.3cm
London, The National Gallery
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Titian
Ranuccio Farnese (mk45)
c.1542
Oil on canvas
89.7x73.6cm
Washington,National Gallery of Art.
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Titian
Pope Paul III,Cardinal Alessandro Farnese and Duke Ottavio Farnese (mk45)
1546
Oil on canvas
200x173cm
Naples,Galleria Nazionale di Capodemonte
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Titian
Jacopo de Strada (mk45)
Oil on canvas
125x95cm
Vienna,Kunsthistorisches Museum
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Titian
Self-Portrait
mk52
c.1560
Oil on canvas
96.4x74.8cm
Gemaldegalerie,Berlin
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Titian
Self-Portrait
mk52
1568-71
Oil on canvas
86x65cm
Prado,Madrid
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Titian
The Exbortation of the Marquis del Vasto to His Troops
mk61
1540-1541
Oil on canvas
223x165cm
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Titian
Bacchanal
mk61
Oil on canvas
175x193cm
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Titian
Danae
mk61
1553-1554
Oil on canvas
129x180cm
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Titian
Religion Supported by Spain
mk61
c.1575
Oil on canvas
168x168cm
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Titian
Equestrian Portrait of Charles V
mk61
1548
Oil on canvas
332x279cm
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Titian
Venus and Adonis
mk60
1553-1554
Oil on canvas
186x207cm
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Titian
St Mary Magdalene
c 1530-1535
Oil on wood 84 x 69 cm
Florence Palazzo Pitti Galleria Palatina (mk64)
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Titian
Venus Anadyomenes
1525
Oil on canvas 73.6 x 58.4 cm
Edinburgh Duke of Sutherland Collection on loan to the National Gallery of Scotland (mk64)
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Titian
Tityus
mk61
1549
Oil on canvas
253x217cm
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Titian
The Entombment of Christ
mk61
1566
Oil on canva
130x168cm
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Titian
Self-Portrait
mk61
c.1566
Oil on canvas
86x65cm
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Titian
Portrait of a Gentleman
mk65
Oil on canvas
43 11/16x37 13/16in
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Titian
Portrait of a Woman
mk65
Oil on canvas
35 1/16x29 3/4in
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Titian
Venus
mk65
Oil on canvas
46 7/8x65in
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| Titian
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Italian High Renaissance Painter, ca.1485-1576
Italian painter active in Venice. As a young man he was taught by the Bellini family and worked closely with Giorgione. His early works are so similar in style to Giorgione's as to be indistinguishable, but soon after Giorgione's early death Titian established himself as the leading painter of the Republic of Venice. Among his most important religious paintings is the revolutionary and monumental Assumption (1516 ?C 18) for Santa Maria dei Frari, in which the Virgin ascends to heaven in a blaze of colour accompanied by a semicircle of angels. Titian was also interested in mythological themes, and his many depictions of Venus display his work's sheer beauty and inherent eroticism. Bacchus and Ariadne (1520 ?C 23), with its pagan abandon, is one of the greatest works of Renaissance art. Titian was sought after for his psychologically penetrating portraits, which include portrayals of leading Italian aristocrats, religious figures, and Emperor Charles V. He reached the height of his powers in The Rape of Europa (c. 1559 ?C 62), one of several paintings done for Philip II of Spain. He was recognized as supremely gifted in his lifetime, and his reputation has never declined.
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