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Titian Portrait of Francesco Maria della Rovere mk65
Oil on canvas
44 7/8x4 9/16in
Uffizi,Gallery,
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Titian The Concert mk65
Oil on canvas
341/16x48 5/8in
Pitti,Palatine Gallery
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Titian Portrait of a Man mk65
Oil on canvas
31 7/8x23 5/8in
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Titian Portrait of Pietro Aretino mk65
Oil on canvas
38 1/16x30 9/16in
Pitti,Palatine Gallery
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Titian Mary Magdalen mk65
Oil on panel
33 1/16x27 3/16in
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Titian Portrait of Ippolito de'Medici in a Hungarian Costume mk65
Oil on canvas
53 3/4x42 1/8in
Pitti,Palatine Gallery
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Titian Portrait of a Gentleman mk65
Oil on canvas
33 7/16x26 3/8in
Pitti,Palatine Gallery
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Titian Danae mk65
1546/53
Oil on canvas
47x73 1/2"
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Titian Chirst Bearing the Cross mk65
1560s
Oil on canvas
35x30'
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Titian Penitent Mary Magdalen mk65
1560s
Oil on canvas
46 1/2x38"
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Titian St.Sebastian mk65
Oil on canvas
82 1/2x45"
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Titian Pope Paul III mk65
1548
Oil on canvas
38 1/2x31"
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Titian Portrait of Eleonora Gonzaga della Rovere mk67
Oil on canvas
44 7/8x40 9/16in
Uffizi,Gallery
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Titian Details of Venus of Urbino nn05
Who was the donna nuda
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Titian Venus of Urbino nn04
c.1538
From the canopy of Heaven to a four-poster bed
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Titian Details of Venus of Urbino nn05
Bodies change with fashions
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Titian Details of Venus of Urbino nn04
Bodies change with fashions
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Titian Details of Venus of Urbino nn04
A chest was part of every dowry
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Titian The goddess becomes a woman nn04
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Titian Concert mk68
Oil on canvas
43 1/4x54 1/4"
Paris,Louvre
1508-1511
Italy
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Titian
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Italian High Renaissance Painter, ca.1485-1576
Italian painter active in Venice. As a young man he was taught by the Bellini family and worked closely with Giorgione. His early works are so similar in style to Giorgione's as to be indistinguishable, but soon after Giorgione's early death Titian established himself as the leading painter of the Republic of Venice. Among his most important religious paintings is the revolutionary and monumental Assumption (1516 ?C 18) for Santa Maria dei Frari, in which the Virgin ascends to heaven in a blaze of colour accompanied by a semicircle of angels. Titian was also interested in mythological themes, and his many depictions of Venus display his work's sheer beauty and inherent eroticism. Bacchus and Ariadne (1520 ?C 23), with its pagan abandon, is one of the greatest works of Renaissance art. Titian was sought after for his psychologically penetrating portraits, which include portrayals of leading Italian aristocrats, religious figures, and Emperor Charles V. He reached the height of his powers in The Rape of Europa (c. 1559 ?C 62), one of several paintings done for Philip II of Spain. He was recognized as supremely gifted in his lifetime, and his reputation has never declined.
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