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Titian Italian High Renaissance Painter, ca.1485-1576
Italian painter active in Venice. As a young man he was taught by the Bellini family and worked closely with Giorgione. His early works are so similar in style to Giorgione's as to be indistinguishable, but soon after Giorgione's early death Titian established himself as the leading painter of the Republic of Venice. Among his most important religious paintings is the revolutionary and monumental Assumption (1516 ?C 18) for Santa Maria dei Frari, in which the Virgin ascends to heaven in a blaze of colour accompanied by a semicircle of angels. Titian was also interested in mythological themes, and his many depictions of Venus display his work's sheer beauty and inherent eroticism. Bacchus and Ariadne (1520 ?C 23), with its pagan abandon, is one of the greatest works of Renaissance art. Titian was sought after for his psychologically penetrating portraits, which include portrayals of leading Italian aristocrats, religious figures, and Emperor Charles V. He reached the height of his powers in The Rape of Europa (c. 1559 ?C 62), one of several paintings done for Philip II of Spain. He was recognized as supremely gifted in his lifetime, and his reputation has never declined.
Titian This early portrait This early portrait (c. 1512) was long wrongly believed to be of Ariosto; it is more likely a self-portrait, and the composition was borrowed by Rembrandt for his own self-portraits.
Painting ID:: 61118
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Titian Salome, or Judith Salome, or Judith; this religious work also functions as an idealized portrait of a beauty, a genre developed by Titian, supposedly often using Venetian courtesans as models.
Painting ID:: 61120
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Titian It took Titian two years It took Titian two years (1516?C1518) to complete the oil painting Assunta, whose dynamic three-tier composition and color scheme established him as the preeminent painter north of Rome.
Painting ID:: 61135
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Titian Titian state portrait of Emperor Charles V at Mehlberg established a new genre, Titian's state portrait of Emperor Charles V at Mehlberg (1548) established a new genre, that of the grand equestrian portrait. The composition is steeped both in the Roman tradition of equestrian sculpture and in the medieval representations of an ideal Christian knight, but the weary figure and face have a subtlety few such representations attempt.
Painting ID:: 61136
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Titian Titian unmatched handling of color is exemplified by his Danae, Titian's unmatched handling of color is exemplified by his Danae, one of several mythological paintings, or "poesie" ("poems") as the painter called them, done for Philip II of Spain. Although Michelangelo adjudged this piece deficient from the point of view of drawing, Titian and his studio produced several versions for other patrons.
Painting ID:: 61138
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Titian The Rape of Europa is a bold diagonal composition which was admired and copied by Rubens. The Rape of Europa (1562) is a bold diagonal composition which was admired and copied by Rubens. In contrast to the clarity of Titian's early works, it is almost baroque in its blurred lines, swirling colors, and vibrant brushstrokes.
Painting ID:: 61144
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Titian The Death of Actaeon. The Death of Actaeon. In Titian's later works, the forms lose their solidity and melt into the lush texture of shady, shimmering colors and unsettling atmospheric effects. In addition to energetic brushwork, Titian was said to put paint on with his fingers toward the completion of a painting.
Painting ID:: 61159
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Titian Like so many of his late works, Like so many of his late works, Titian's last painting, the Piet??, is a dramatic scene of suffering in a nocturnal setting. It was apparently intended for his own tomb chapel.
Painting ID:: 61160
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Titian The Allegory of Age Governed by Prudence is thought to depict Titian, The Allegory of Age Governed by Prudence (c. 1565?C1570) is thought to depict Titian, his son Orazio, and a young cousin, Marco Vecellio.
Painting ID:: 61161
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Titian The Flaying of Marsyas, little known until recent decades The Flaying of Marsyas, little known until recent decades
Painting ID:: 64233
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Titian isabella of portugal wife of charles
1535 madrid, prado
Painting ID:: 68568
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Titian Christus und Maria Magdalena ca. 1512(1512)
Oil on canvas
109 x 91 cm
Painting ID:: 69008
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Titian pesaro altar venice, frari
Painting ID:: 69465
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Titian l, assomption de la vierge se
Painting ID:: 69466
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Titian la mise au tombeau se
Painting ID:: 70046
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Titian Diana and Actaeon Date 1556 - 1559
Medium Oil on canvas
Dimensions 184.50 x 202.20 cm
Painting ID:: 70527
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Titian Portrat Paul III Medium Oil on canvas
Dimensions Expression error: Missing operand for *108 ?? 80 cm
Painting ID:: 70556
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Titian Die Himmlische Liebe Detail Date Deutsch: um 1512-1515
English: c. 1512-1515
Medium Oil on canvas
Painting ID:: 70788
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Titian Portrat der Laura de Dianti Date Deutsch: um 1523
English: c. 1523
Medium Deutsch: ol auf Leinwand
English: Oil on canvas
Painting ID:: 70852
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Titian Christus und Maria Magdalena Date ca. 1512(1512)
Medium Oil on canvas
Dimensions 109 x 91 cm
Italian High Renaissance Painter, ca.1485-1576
Italian painter active in Venice. As a young man he was taught by the Bellini family and worked closely with Giorgione. His early works are so similar in style to Giorgione's as to be indistinguishable, but soon after Giorgione's early death Titian established himself as the leading painter of the Republic of Venice. Among his most important religious paintings is the revolutionary and monumental Assumption (1516 ?C 18) for Santa Maria dei Frari, in which the Virgin ascends to heaven in a blaze of colour accompanied by a semicircle of angels. Titian was also interested in mythological themes, and his many depictions of Venus display his work's sheer beauty and inherent eroticism. Bacchus and Ariadne (1520 ?C 23), with its pagan abandon, is one of the greatest works of Renaissance art. Titian was sought after for his psychologically penetrating portraits, which include portrayals of leading Italian aristocrats, religious figures, and Emperor Charles V. He reached the height of his powers in The Rape of Europa (c. 1559 ?C 62), one of several paintings done for Philip II of Spain. He was recognized as supremely gifted in his lifetime, and his reputation has never declined.
