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Titian
Portrat des Fabrizio Salvaresio
1558(1558)
Oil on canvas
112 x 88 cm
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Titian
Girl with a Platter of Fruit
c. 1555
Oil on canvas
102 x 82 cm
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Titian
Sacred and Profane Love
Sacred and Profane Love
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Titian
Diana and Callisto by Titian; Kunsthistorisches Museum, Vienna
um 1566
183 x 200 cm
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Titian
Portrat des Fabrizio Salvaresio
Date 1558(1558
Dimensions Deutsch: 112 X 88 cm
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Titian
Portrat Paul III.
1543(1543)
Medium Oil on canvas
Dimensions 108 X 80 cm (42.52 X 31.5 in)
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Titian
Noli me tangere
Noli me tangere
1514
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Titian
Diana and Callisto by Titian
allseitig etwas beschnitten: 183 x 200 cm
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Titian
Noli me tangere
Description Noli me tangere
Date 1514
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Titian
Portrat der Eleonora Gonzaga
1538
Oil on canvas
114 X 102.2 cm (44.88 X 40.24 in)
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Titian
Female Portrait.
c. 1536
Oil on canvas
96 x 75 cm
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Titian
Portrat des Karl V. im Lehnstuhl
1548(1548)
Oil on canvas
205 X 122 cm (80.71 X 48.03 in)
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Titian
Portrait of Alfonso d'Avalos (1502-1546), in Armor with a Page
ca. 1533(1533)
Oil on canvas
110 X 80 cm (43.31 X 31.5 in)
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Titian
Allegorie conjugale
ca. 1530(1530)
Oil on canvas
123 X 107 cm (48.43 X 42.13 in)
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Titian
Mater Dolorosa
c. 1555
Oil on wood
68 x 61 cm
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Titian
Bubende Hl. Maria Magdalena
c. 1565
Oil on canvas
119 X 98 cm
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Titian
Christ Carrying the Cross
Christ Carrying the Cross, oil on canvas painting by Titian, 67 x 77 cm, c. 1565. Museo Nacional del Prado.
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Titian
Portrat der Eleonora Gonzaga
Date 1538
Medium Oil on canvas
Dimensions 114 ?? 102.2 cm (44.9 ?? 40.2 in)
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Titian
Judith with the head of Holofernes
Date c. 1570
Medium Oil on canvas
Dimensions 112 ?? 93 cm
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Titian
Female Portrait
. 1536
Medium Oil on canvas
Dimensions 96 x 75 cm
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| Titian
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Italian High Renaissance Painter, ca.1485-1576
Italian painter active in Venice. As a young man he was taught by the Bellini family and worked closely with Giorgione. His early works are so similar in style to Giorgione's as to be indistinguishable, but soon after Giorgione's early death Titian established himself as the leading painter of the Republic of Venice. Among his most important religious paintings is the revolutionary and monumental Assumption (1516 ?C 18) for Santa Maria dei Frari, in which the Virgin ascends to heaven in a blaze of colour accompanied by a semicircle of angels. Titian was also interested in mythological themes, and his many depictions of Venus display his work's sheer beauty and inherent eroticism. Bacchus and Ariadne (1520 ?C 23), with its pagan abandon, is one of the greatest works of Renaissance art. Titian was sought after for his psychologically penetrating portraits, which include portrayals of leading Italian aristocrats, religious figures, and Emperor Charles V. He reached the height of his powers in The Rape of Europa (c. 1559 ?C 62), one of several paintings done for Philip II of Spain. He was recognized as supremely gifted in his lifetime, and his reputation has never declined.
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