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VIVIEN, Joseph
French painter (b. 1657, Lyon, d. 1734, Bonn) French painter and pastellist, active in Germany. He trained in Paris in 1672 with the painter Fran?ois Bonnemers (1638-89), also attending the Acad?mie Royale, where his oil painting the Punishment of Adam and Eve (untraced) won a second prize in 1678. Only in 1698 was he received (re?u) at the Acad?mie, as a pastellist, on presentation of portraits of the sculptor Fran?ois Girardon and of the architect Robert de Cotte (both Paris, Louvre; see PASTEL, fig. 1). Having been commissioned to execute a pastel Self-portrait (Florence, Uffizi) by Maximilian II Emanuel, Elector of Bavaria, in 1699, the following year he was appointed the Elector's principal court painter (see WITTELSBACH). He henceforth divided his time between Paris, the Elector's courts at Brussels and Munich,

 

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VIVIEN, Joseph Fnlon, Archbishop of Cambrai ert oil painting

Painting ID::  9659

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VIVIEN, Joseph
Fnlon, Archbishop of Cambrai ert
Oil on canvas, 80 x 63 cm Alte Pinakothek, Munich
   
   
     

 

 

VIVIEN, Joseph Maximilian Emanuel, Prince Elector of Bavaria  ewrt oil painting

Painting ID::  9660

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VIVIEN, Joseph
Maximilian Emanuel, Prince Elector of Bavaria ewrt
Oil on canvas, 240 x 173 cm Alte Pinakothek, Munich
   
   
     

 

 

VIVIEN, Joseph Bildnis des Kurfersten Maximilian II oil painting

Painting ID::  73195

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VIVIEN, Joseph
Bildnis des Kurfersten Maximilian II
Date between 1710 and 1720 Medium Oil on canvas Dimensions 129 X 101 cm (50.79 X 39.76 in) cyf
   
   
     

 

 

VIVIEN, Joseph Portrait de Fenelon oil painting

Painting ID::  73585

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VIVIEN, Joseph
Portrait de Fenelon
Date 17th/18th century cyf
   
   
     

 

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VIVIEN, Joseph
French painter (b. 1657, Lyon, d. 1734, Bonn) French painter and pastellist, active in Germany. He trained in Paris in 1672 with the painter Fran?ois Bonnemers (1638-89), also attending the Acad?mie Royale, where his oil painting the Punishment of Adam and Eve (untraced) won a second prize in 1678. Only in 1698 was he received (re?u) at the Acad?mie, as a pastellist, on presentation of portraits of the sculptor Fran?ois Girardon and of the architect Robert de Cotte (both Paris, Louvre; see PASTEL, fig. 1). Having been commissioned to execute a pastel Self-portrait (Florence, Uffizi) by Maximilian II Emanuel, Elector of Bavaria, in 1699, the following year he was appointed the Elector's principal court painter (see WITTELSBACH). He henceforth divided his time between Paris, the Elector's courts at Brussels and Munich,